mlsanityData to 7 Oct 2026

Codified audio language modeling learns useful representations for music information retrieval

arXiv 2107.05677 ↗First posted 12 Jul 2021cs.SD cs.IR cs.LGcited by 61

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Abstract (arXiv)

We demonstrate that language models pre-trained on codified (discretely-encoded) music audio learn representations that are useful for downstream MIR tasks. Specifically, we explore representations from Jukebox (Dhariwal et al. 2020): a music generation system containing a language model trained on codified audio from 1M songs. To determine if Jukebox's representations contain useful information for MIR, we use them as input features to train shallow models on several MIR tasks. Relative to representations from conventional MIR models which are pre-trained on tagging, we find that using representations from Jukebox as input features yields 30% stronger performance on average across four MIR tasks: tagging, genre classification, emotion recognition, and key detection. For key detection, we observe that representations from Jukebox are considerably stronger than those from models pre-trained on tagging, suggesting that pre-training via codified audio language modeling may address blind spots in conventional approaches. We interpret the strength of Jukebox's representations as evidence that modeling audio instead of tags provides richer representations for MIR.

Key facts. Cited by 61 papers in the map (data through 7 Oct 2026). Builds on 36 of its 66 references that are in the map. First posted on arXiv 12 Jul 2021.

Builds on

36 of 66 references.

References · 36

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24 more
  1. 2020Jukebox: A Generative Model for Musiccited by 535
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  7. 2021Contrastive Learning of Musical Representationscited by 81
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Cited by year (2026 to 7 Oct)

Citing papers per year: 2021: 4; 2022: 11; 2023: 10; 2024: 16; 2025: 13; 2026: 7.

61 papers.

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  1. 2022EDGE: Editable Dance Generation From Musiccited by 284
  2. 2023MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Trainingcited by 175
  3. 2022MuLan: A Joint Embedding of Music Audio and Natural Languagecited by 85
  4. 2023Music Understanding LLaMA: Advancing Text-to-Music Generation with Question Answering and Captioningcited by 77
  5. 2021MT3: Multi-Task Multitrack Music Transcriptioncited by 70
  6. 2023MARBLE: Music Audio Representation Benchmark for Universal Evaluationcited by 38
  7. 2022Supervised and Unsupervised Learning of Audio Representations for Music Understandingcited by 34
  8. 2024Foundation Models for Music: A Surveycited by 34
  9. 2024Music2Latent: Consistency Autoencoders for Latent Audio Compressioncited by 33
  10. 2023LLark: A Multimodal Instruction-Following Language Model for Musiccited by 29
  11. 2022Melody transcription via generative pre-trainingcited by 23
  12. 2022MAP-Music2Vec: A Simple and Effective Baseline for Self-Supervised Music Audio Representation Learningcited by 22
38 more
  1. 2025Aligning Text-to-Music Evaluation with Human Preferencescited by 20
  2. 2022Low-Resource Music Genre Classification with Cross-Modal Neural Model Reprogrammingcited by 17
  3. 2024CREMA: Generalizable and Efficient Video-Language Reasoning via Multimodal Modular Fusioncited by 17
  4. 2024MuChin: A Chinese Colloquial Description Benchmark for Evaluating Language Models in the Field of Musiccited by 15
  5. 2025CMI-Bench: A Comprehensive Benchmark for Evaluating Music Instruction Followingcited by 15
  6. 2024Benchmarking Representations for Speech, Music, and Acoustic Eventscited by 14
  7. 2021Learning music audio representations via weak language supervisioncited by 13
  8. 2024Exploring Musical Roots: Applying Audio Embeddings to Empower Influence Attribution for a Generative Music Modelcited by 13
  9. 2021Adapting TTS models For New Speakers using Transfer Learningcited by 12
  10. 2023Latent Autoregressive Source Separationcited by 12
  11. 2024Do Music Generation Models Encode Music Theory?cited by 12
  12. 2022The Chamber Ensemble Generator: Limitless High-Quality MIR Data via Generative Modelingcited by 10
  13. 2024OpenMU: Your Swiss Army Knife for Music Understandingcited by 9
  14. 2025Live Music Modelscited by 9
  15. 2026MOSS-Audio Technical Reportcited by 9
  16. 2023Perceptual Musical Features for Interpretable Audio Taggingcited by 7
  17. 2022Jointist: Joint Learning for Multi-instrument Transcription and Its Applicationscited by 6
  18. 2024Music Foundation Model as Generic Booster for Music Downstream Taskscited by 6
  19. 2023Learning Music Sequence Representation from Text Supervisioncited by 5
  20. 2023On the Effectiveness of Speech Self-supervised Learning for Musiccited by 5
  21. 2022Learning Temporal Resolution in Spectrogram for Audio Classificationcited by 4
  22. 2025Masked Latent Prediction and Classification for Self-Supervised Audio Representation Learningcited by 4
  23. 2025A Survey on Music Generation from Single-Modal, Cross-Modal, and Multi-Modal Perspectivescited by 4
  24. 2023Jointist: Simultaneous Improvement of Multi-instrument Transcription and Music Source Separation via Joint Trainingcited by 3
  25. 2025Myna: Masking-Based Contrastive Learning of Musical Representationscited by 3
  26. 2025Layer-wise Investigation of Large-Scale Self-Supervised Music Representation Modelscited by 3
  27. 2025Universal Music Representations? Evaluating Foundation Models on World Music Corporacited by 3
  28. 2024MVBIND: Self-Supervised Music Recommendation For Videos Via Embedding Space Bindingcited by 2
  29. 2024A New Dataset, Notation Software, and Representation for Computational Schenkerian Analysiscited by 2
  30. 2024PIAST: A Multimodal Piano Dataset with Audio, Symbolic and Textcited by 2
  31. 2021Unsupervised Source Separation By Steering Pretrained Music Modelscited by 1
  32. 2023Toward Leveraging Pre-Trained Self-Supervised Frontends for Automatic Singing Voice Understanding Tasks: Three Case Studiescited by 1
  33. 2024Towards Training Music Taggers on Synthetic Datacited by 1
  34. 2024Prevailing Research Areas for Music AI in the Era of Foundation Modelscited by 1
  35. 2025CultureMERT: Continual Pre-Training for Cross-Cultural Music Representation Learningcited by 1
  36. 2025Segment Transformer: AI-Generated Music Detection via Music Structural Analysiscited by 1
  37. 2025MuseTok: Symbolic Music Tokenization for Generation and Semantic Understandingcited by 1
  38. 2026Evaluating Disentangled Representations for Controllable Music Generationcited by 1

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