mlsanityData to 7 Oct 2026

LLark: A Multimodal Instruction-Following Language Model for Music

arXiv 2310.07160 ↗First posted 11 Oct 2023cs.SD cs.LG eess.AScited by 29

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Abstract (arXiv)

Music has a unique and complex structure which is challenging for both expert humans and existing AI systems to understand, and presents unique challenges relative to other forms of audio. We present LLark, an instruction-tuned multimodal model for music understanding. We detail our process for dataset creation, which involves augmenting the annotations of diverse open-source music datasets and converting them to a unified instruction-tuning format. We propose a multimodal architecture for LLark, integrating a pretrained generative model for music with a pretrained language model. In evaluations on three types of tasks (music understanding, captioning, reasoning), we show that LLark matches or outperforms existing baselines in music understanding, and that humans show a high degree of agreement with its responses in captioning and reasoning tasks. LLark is trained entirely from open-source music data and models, and we make our training code available along with the release of this paper. Additional results and audio examples are at https://bit.ly/llark, and our source code is available at https://github.com/spotify-research/llark .

Key facts. Cited by 29 papers in the map (data through 7 Oct 2026). Builds on 51 of its 82 references that are in the map. First posted on arXiv 11 Oct 2023.

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51 of 82 references.

References · 51

  1. 2023Llama 2: Open Foundation and Fine-Tuned Chat Modelscited by 12,865
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38 more
  1. 2022Large-scale Contrastive Language-Audio Pretraining with Feature Fusion and Keyword-to-Caption Augmentationcited by 707
  2. 2023LLaMA-Adapter V2: Parameter-Efficient Visual Instruction Modelcited by 602
  3. 2020Jukebox: A Generative Model for Musiccited by 535
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  9. 2021Wav2CLIP: Learning Robust Audio Representations From CLIPcited by 210
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  12. 2018Compositional Attention Networks for Machine Reasoningcited by 183
  13. 2023MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Trainingcited by 175
  14. 2023ImageBind-LLM: Multi-modality Instruction Tuningcited by 142
  15. 2023Joint Audio and Speech Understandingcited by 99
  16. 2023Improving Multimodal Datasets with Image Captioningcited by 93
  17. 2023AnyMAL: An Efficient and Scalable Any-Modality Augmented Language Modelcited by 93
  18. 2019Cutting Music Source Separation Some Slakh: A Dataset to Study the Impact of Training Data Quality and Quantitycited by 86
  19. 2023LP-MusicCaps: LLM-Based Pseudo Music Captioningcited by 83
  20. 2023Music Understanding LLaMA: Advancing Text-to-Music Generation with Question Answering and Captioningcited by 77
  21. 2023Whisper-AT: Noise-Robust Automatic Speech Recognizers are Also Strong General Audio Event Taggerscited by 72
  22. 2021MT3: Multi-Task Multitrack Music Transcriptioncited by 70
  23. 2016madmom: a new Python Audio and Music Signal Processing Librarycited by 63
  24. 2021Codified audio language modeling learns useful representations for music information retrievalcited by 61
  25. 2016Learning Features of Music from Scratchcited by 57
  26. 2022Supervised and Unsupervised Learning of Audio Representations for Music Understandingcited by 34
  27. 2022Unaligned Supervision For Automatic Music Transcription in The Wildcited by 25
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  29. 2023Language-Guided Music Recommendation for Video via Prompt Analogiescited by 18
  30. 2020Multimodal Metric Learning for Tag-based Music Retrievalcited by 14
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Citing papers per year: 2023: 1; 2024: 8; 2025: 15; 2026: 5.

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  1. 2025Qwen2.5-Omni Technical Reportcited by 704
  2. 2024AnyGPT: Unified Multimodal LLM with Discrete Sequence Modelingcited by 213
  3. 2024MuChoMusic: Evaluating Music Understanding in Multimodal Audio-Language Modelscited by 43
  4. 2024LLMs Meet Multimodal Generation and Editing: A Surveycited by 35
  5. 2024Foundation Models for Music: A Surveycited by 34
  6. 2026Large Language Model Reasoning Failurescited by 20
  7. 2025A Survey of Foundation Model-Powered Recommender Systems: From Feature-Based, Generative to Agentic Paradigmscited by 17
  8. 2025CMI-Bench: A Comprehensive Benchmark for Evaluating Music Instruction Followingcited by 15
  9. 2024OpenMU: Your Swiss Army Knife for Music Understandingcited by 9
  10. 2025DanceChat: Large Language Model-Guided Music-to-Dance Generationcited by 5
  11. 2025MATPAC++: Enhanced Masked Latent Prediction for Self-Supervised Audio Representation Learningcited by 5
  12. 2024Evaluation of pretrained language models on music understandingcited by 4
17 more
  1. 2024Augment, Drop & Swap: Improving Diversity in LLM Captions for Efficient Music-Text Representation Learningcited by 3
  2. 2025TalkPlayData 2: An Agentic Synthetic Data Pipeline for Multimodal Conversational Music Recommendationcited by 2
  3. 2025Persian Musical Instruments Classification Using Polyphonic Data Augmentationcited by 2
  4. 2025Sound and Music Biases in Deep Music Transcription Models: A Systematic Analysiscited by 2
  5. 2026Rethinking Music Captioning with Music Metadata LLMscited by 2
  6. 2023SkyMath: Technical Reportcited by 1
  7. 2025Music Recommendation with Large Language Models: Challenges, Opportunities, and Evaluationcited by 1
  8. 2025On-device Large Multi-modal Agent for Human Activity Recognitioncited by 1
  9. 2024AI TrackMate: Finally, Someone Who Will Give Your Music More Than Just "Sounds Great!"cited by 0
  10. 2025LoopGen: Training-Free Loopable Music Generationcited by 0
  11. 2025MixAssist: An Audio-Language Dataset for Co-Creative AI Assistance in Music Mixingcited by 0
  12. 2025Advancing the Foundation Model for Music Understandingcited by 0
  13. 2025A Study on the Data Distribution Gap in Music Emotion Recognitioncited by 0
  14. 2025Assessing Factual Music Comprehension in Large Audio Language Modelscited by 0
  15. 2026Decomposer: Learning to Decompile Symbolic Music to Programscited by 0
  16. 2026Noisy-Channel Minimum Bayes Risk Decodingcited by 0
  17. 2026Knowing When Not to Answer: Pseudo-Ensembles for Abstention in Music Audio-Language Modelscited by 0