mlsanityData to 7 Oct 2026

Contrastive Learning of Musical Representations

arXiv 2103.09410 ↗First posted 17 Mar 2021cs.SD cs.LG eess.AScited by 81

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Abstract (arXiv)

While deep learning has enabled great advances in many areas of music, labeled music datasets remain especially hard, expensive, and time-consuming to create. In this work, we introduce SimCLR to the music domain and contribute a large chain of audio data augmentations to form a simple framework for self-supervised, contrastive learning of musical representations: CLMR. This approach works on raw time-domain music data and requires no labels to learn useful representations. We evaluate CLMR in the downstream task of music classification on the MagnaTagATune and Million Song datasets and present an ablation study to test which of our music-related innovations over SimCLR are most effective. A linear classifier trained on the proposed representations achieves a higher average precision than supervised models on the MagnaTagATune dataset, and performs comparably on the Million Song dataset. Moreover, we show that CLMR's representations are transferable using out-of-domain datasets, indicating that our method has strong generalisability in music classification. Lastly, we show that the proposed method allows data-efficient learning on smaller labeled datasets: we achieve an average precision of 33.1% despite using only 259 labeled songs in the MagnaTagATune dataset (1% of the full dataset) during linear evaluation. To foster reproducibility and future research on self-supervised learning in music, we publicly release the pre-trained models and the source code of all experiments of this paper.

Key facts. Cited by 81 papers in the map (data through 7 Oct 2026). Builds on 24 of its 57 references that are in the map. First posted on arXiv 17 Mar 2021.

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24 of 57 references.

References · 24

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12 more
  1. 2019Data-Efficient Image Recognition with Contrastive Predictive Codingcited by 672
  2. 2017Neural Audio Synthesis of Musical Notes with WaveNet Autoencoderscited by 222
  3. 2016FMA: A Dataset For Music Analysiscited by 205
  4. 2020Contrastive Learning of General-Purpose Audio Representationscited by 168
  5. 2020Multi-task self-supervised learning for Robust Speech Recognitioncited by 127
  6. 2018CREPE: A Convolutional Representation for Pitch Estimationcited by 109
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  8. 2020Data Augmenting Contrastive Learning of Speech Representations in the Time Domaincited by 63
  9. 2020CLAR: Contrastive Learning of Auditory Representationscited by 31
  10. 2017End-to-end learning for music audio tagging at scalecited by 25
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  12. 2016A Fully Convolutional Deep Auditory Model for Musical Chord Recognitioncited by 7

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Citing papers per year: 2021: 6; 2022: 17; 2023: 12; 2024: 21; 2025: 18; 2026: 7.

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  1. 2021Wav2CLIP: Learning Robust Audio Representations From CLIPcited by 210
  2. 2023MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Trainingcited by 175
  3. 2022MuLan: A Joint Embedding of Music Audio and Natural Languagecited by 85
  4. 2025MuQ: Self-Supervised Music Representation Learning with Mel Residual Vector Quantizationcited by 66
  5. 2021Codified audio language modeling learns useful representations for music information retrievalcited by 61
  6. 2023MARBLE: Music Audio Representation Benchmark for Universal Evaluationcited by 38
  7. 2022Supervised and Unsupervised Learning of Audio Representations for Music Understandingcited by 34
  8. 2024Foundation Models for Music: A Surveycited by 34
  9. 2024Music2Latent: Consistency Autoencoders for Latent Audio Compressioncited by 33
  10. 2022Contrastive Audio-Language Learning for Musiccited by 32
  11. 2021Conformer-Based Self-Supervised Learning for Non-Speech Audio Taskscited by 22
  12. 2022MAP-Music2Vec: A Simple and Effective Baseline for Self-Supervised Music Audio Representation Learningcited by 22
38 more
  1. 2022Music Mixing Style Transfer: A Contrastive Learning Approach to Disentangle Audio Effectscited by 18
  2. 2021SpecTNT: a Time-Frequency Transformer for Music Audiocited by 15
  3. 2024COCOLA: Coherence-Oriented Contrastive Learning of Musical Audio Representationscited by 14
  4. 2021Learning music audio representations via weak language supervisioncited by 13
  5. 2024Exploring Musical Roots: Applying Audio Embeddings to Empower Influence Attribution for a Generative Music Modelcited by 13
  6. 2022Contrastive Learning with Positive-Negative Frame Mask for Music Representationcited by 10
  7. 2022The Chamber Ensemble Generator: Limitless High-Quality MIR Data via Generative Modelingcited by 10
  8. 2024Towards Assessing Data Replication in Music Generation with Music Similarity Metrics on Raw Audiocited by 10
  9. 2022Equivariant Self-Supervision for Musical Tempo Estimationcited by 9
  10. 2022SampleMatch: Drum Sample Retrieval by Musical Contextcited by 8
  11. 2024Stem-JEPA: A Joint-Embedding Predictive Architecture for Musical Stem Compatibility Estimationcited by 8
  12. 2025Scaling Self-Supervised Representation Learning for Symbolic Piano Performancecited by 7
  13. 2022End-to-end Music Remastering System Using Self-supervised and Adversarial Trainingcited by 6
  14. 2024Singer Identity Representation Learning using Self-Supervised Techniquescited by 6
  15. 2024LC-Protonets: Multi-Label Few-Shot Learning for World Music Audio Taggingcited by 6
  16. 2024Music Foundation Model as Generic Booster for Music Downstream Taskscited by 6
  17. 2022Towards Proper Contrastive Self-supervised Learning Strategies For Music Audio Representationcited by 5
  18. 2023Learning Music Sequence Representation from Text Supervisioncited by 5
  19. 2023On the Effectiveness of Speech Self-supervised Learning for Musiccited by 5
  20. 2024Toward Fully Self-Supervised Multi-Pitch Estimationcited by 5
  21. 2024FedCCL: Federated Dual-Clustered Feature Contrast Under Domain Heterogeneitycited by 5
  22. 2023Self-supervised learning for infant cry analysiscited by 4
  23. 2024On the Effect of Data-Augmentation on Local Embedding Properties in the Contrastive Learning of Music Audio Representationscited by 4
  24. 2024Logit Calibration and Feature Contrast for Robust Federated Learning on Non-IID Datacited by 4
  25. 2024An Experimental Comparison Of Multi-view Self-supervised Methods For Music Taggingcited by 4
  26. 2025Music2Latent2: Audio Compression with Summary Embeddings and Autoregressive Decodingcited by 4
  27. 2025A Survey on Music Generation from Single-Modal, Cross-Modal, and Multi-Modal Perspectivescited by 4
  28. 2025Yambda-5B -- A Large-Scale Multi-modal Dataset for Ranking And Retrievalcited by 4
  29. 2022Learning Unsupervised Hierarchies of Audio Conceptscited by 3
  30. 2023Relating tSNE and UMAP to Classical Dimensionality Reductioncited by 3
  31. 2023Finding Tori: Self-supervised Learning for Analyzing Korean Folk Songcited by 3
  32. 2024From Real to Cloned Singer Identificationcited by 3
  33. 2025Estimating Musical Surprisal in Audiocited by 3
  34. 2025Investigating the Sensitivity of Pre-trained Audio Embeddings to Common Effectscited by 3
  35. 2025Myna: Masking-Based Contrastive Learning of Musical Representationscited by 3
  36. 2025Layer-wise Investigation of Large-Scale Self-Supervised Music Representation Modelscited by 3
  37. 2025PESTO: Real-Time Pitch Estimation with Self-supervised Transposition-equivariant Objectivecited by 3
  38. 2021Parsing Birdsong with Deep Audio Embeddingscited by 2

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