Exploring Musical Roots: Applying Audio Embeddings to Empower Influence Attribution for a Generative Music Model
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Abstract (arXiv)
Every artist has a creative process that draws inspiration from previous artists and their works. Today, "inspiration" has been automated by generative music models. The black box nature of these models obscures the identity of the works that influence their creative output. As a result, users may inadvertently appropriate, misuse, or copy existing artists' works. We establish a replicable methodology to systematically identify similar pieces of music audio in a manner that is useful for understanding training data attribution. A key aspect of our approach is to harness an effective music audio similarity measure. We compare the effect of applying CLMR and CLAP embeddings to similarity measurement in a set of 5 million audio clips used to train VampNet, a recent open source generative music model. We validate this approach with a human listening study. We also explore the effect that modifications of an audio example (e.g., pitch shifting, time stretching, background noise) have on similarity measurements. This work is foundational to incorporating automated influence attribution into generative modeling, which promises to let model creators and users move from ignorant appropriation to informed creation. Audio samples that accompany this paper are available at https://tinyurl.com/exploring-musical-roots.
Key facts. Cited by 13 papers in the map (data through 7 Oct 2026). Builds on 26 of its 51 references that are in the map. First posted on arXiv 25 Jan 2024.
Builds on
26 of 51 references.
References · 26
- 2021High-Resolution Image Synthesis with Latent Diffusion Modelscited by 18,694
- 2022Hierarchical Text-Conditional Image Generation with CLIP Latentscited by 6,539
- 2017Billion-scale similarity search with GPUscited by 2,477
- 2020Extracting Training Data from Large Language Modelscited by 2,144
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- 2023Extracting Training Data from Diffusion Modelscited by 723
- 2022Large-scale Contrastive Language-Audio Pretraining with Feature Fusion and Keyword-to-Caption Augmentationcited by 707
- 2022AudioLM: a Language Modeling Approach to Audio Generationcited by 611
- 2020Jukebox: A Generative Model for Musiccited by 535
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- 2023MusicLM: Generating Music From Textcited by 442
- 2023High-Fidelity Audio Compression with Improved RVQGANcited by 423
14 more
- 2022Diffusion Art or Digital Forgery? Investigating Data Replication in Diffusion Modelscited by 418
- 2023MusicLDM: Enhancing Novelty in Text-to-Music Generation Using Beat-Synchronous Mixup Strategiescited by 94
- 2021Contrastive Learning of Musical Representationscited by 81
- 2021Codified audio language modeling learns useful representations for music information retrievalcited by 61
- 2023VampNet: Music Generation via Masked Acoustic Token Modelingcited by 57
- 2021Beyond Fair Pay: Ethical Implications of NLP Crowdsourcingcited by 52
- 2021A Survey on Locality Sensitive Hashing Algorithms and their Applicationscited by 40
- 2023StemGen: A music generation model that listenscited by 32
- 2022MAP-Music2Vec: A Simple and Effective Baseline for Self-Supervised Music Audio Representation Learningcited by 22
- 2023An Evaluation on Large Language Model Outputs: Discourse and Memorizationcited by 20
- 2023The Ethical Implications of Generative Audio Models: A Systematic Literature Reviewcited by 18
- 2020Disentangled Multidimensional Metric Learning for Music Similaritycited by 16
- 2023Generation or Replication: Auscultating Audio Latent Diffusion Modelscited by 9
- 2023CoverHunter: Cover Song Identification with Refined Attention and Alignmentscited by 6
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Citing papers per year: 2024: 4; 2025: 5; 2026: 4.
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- 2024Towards Assessing Data Replication in Music Generation with Music Similarity Metrics on Raw Audiocited by 10
- 2024Sound Check: Auditing Audio Datasetscited by 3
- 2025XAttnMark: Learning Robust Audio Watermarking with Cross-Attentioncited by 3
- 2025Bob's Confetti: Phonetic Memorization Attacks in Music and Video Generationcited by 3
- 2025Attribution-by-design: Ensuring Inference-Time Provenance in Generative Music Systemscited by 3
- 2024Prevailing Research Areas for Music AI in the Era of Foundation Modelscited by 1
- 2024Watermarking Training Data of Music Generation Modelscited by 1
- 2025On the de-duplication of the Lakh MIDI datasetcited by 1
- 2026What's a Credit Worth? A Market Framework for Attribution-Aware Compensation in Generative Musiccited by 1
- 2025HARP 2.0: Expanding Hosted, Asynchronous, Remote Processing for Deep Learning in the DAWcited by 0
- 2026On the Human and Computer Alignment of Attribute-Based Music Matchescited by 0
- 2026Ghost in the Encoder: Decodable Artist Identity Representations in Lyrics-to-Song Generationcited by 0
1 more
- 2026TrueMuse: A Benchmark for Data Attribution in Text-to-Music Models30 Sep 2026
- 2026Ghost in the Encoder: Decodable Artist Identity Representations in Lyrics-to-Song Generation30 Sep 2026
- 2026On the Human and Computer Alignment of Attribute-Based Music Matches1 Sep 2026
- 2026What's a Credit Worth? A Market Framework for Attribution-Aware Compensation in Generative Music1 Jul 2026
- 2025Attribution-by-design: Ensuring Inference-Time Provenance in Generative Music Systems9 Oct 2025
- 2025On the de-duplication of the Lakh MIDI dataset20 Sep 2025
- 2025Bob's Confetti: Phonetic Memorization Attacks in Music and Video Generation23 Jul 2025
- 2025HARP 2.0: Expanding Hosted, Asynchronous, Remote Processing for Deep Learning in the DAW4 Mar 2025
- 2025XAttnMark: Learning Robust Audio Watermarking with Cross-Attention6 Feb 2025
- 2024Watermarking Training Data of Music Generation Models11 Dec 2024
- 2024Sound Check: Auditing Audio Datasets17 Oct 2024
- 2024Prevailing Research Areas for Music AI in the Era of Foundation Models14 Sep 2024
- 2024Watermarking Training Data of Music Generation Modelscited by 1
- 2024Watermarking Training Data of Music Generation Models11 Dec 2024
- 2024Towards Assessing Data Replication in Music Generation with Music Similarity Metrics on Raw Audiocited by 10
- 2024Sound Check: Auditing Audio Datasetscited by 3
- 2025XAttnMark: Learning Robust Audio Watermarking with Cross-Attentioncited by 3
- 2025Bob's Confetti: Phonetic Memorization Attacks in Music and Video Generationcited by 3
- 2025Attribution-by-design: Ensuring Inference-Time Provenance in Generative Music Systemscited by 3
- 2024Prevailing Research Areas for Music AI in the Era of Foundation Modelscited by 1
- 2025On the de-duplication of the Lakh MIDI datasetcited by 1
- 2026What's a Credit Worth? A Market Framework for Attribution-Aware Compensation in Generative Musiccited by 1
- 2025HARP 2.0: Expanding Hosted, Asynchronous, Remote Processing for Deep Learning in the DAWcited by 0
- 2026On the Human and Computer Alignment of Attribute-Based Music Matchescited by 0
- 2026Ghost in the Encoder: Decodable Artist Identity Representations in Lyrics-to-Song Generationcited by 0
- 2026TrueMuse: A Benchmark for Data Attribution in Text-to-Music Modelscited by 0
- 2026TrueMuse: A Benchmark for Data Attribution in Text-to-Music Models30 Sep 2026
- 2026Ghost in the Encoder: Decodable Artist Identity Representations in Lyrics-to-Song Generation30 Sep 2026
- 2026On the Human and Computer Alignment of Attribute-Based Music Matches1 Sep 2026
- 2026What's a Credit Worth? A Market Framework for Attribution-Aware Compensation in Generative Music1 Jul 2026
- 2025Attribution-by-design: Ensuring Inference-Time Provenance in Generative Music Systems9 Oct 2025
- 2025On the de-duplication of the Lakh MIDI dataset20 Sep 2025
- 2025Bob's Confetti: Phonetic Memorization Attacks in Music and Video Generation23 Jul 2025
- 2025HARP 2.0: Expanding Hosted, Asynchronous, Remote Processing for Deep Learning in the DAW4 Mar 2025
- 2025XAttnMark: Learning Robust Audio Watermarking with Cross-Attention6 Feb 2025
- 2024Sound Check: Auditing Audio Datasets17 Oct 2024
- 2024Prevailing Research Areas for Music AI in the Era of Foundation Models14 Sep 2024
- 2024Towards Assessing Data Replication in Music Generation with Music Similarity Metrics on Raw Audio19 Jul 2024