The Chamber Ensemble Generator: Limitless High-Quality MIR Data via Generative Modeling
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Abstract (arXiv)
Data is the lifeblood of modern machine learning systems, including for those in Music Information Retrieval (MIR). However, MIR has long been mired by small datasets and unreliable labels. In this work, we propose to break this bottleneck using generative modeling. By pipelining a generative model of notes (Coconet trained on Bach Chorales) with a structured synthesis model of chamber ensembles (MIDI-DDSP trained on URMP), we demonstrate a system capable of producing unlimited amounts of realistic chorale music with rich annotations including mixes, stems, MIDI, note-level performance attributes (staccato, vibrato, etc.), and even fine-grained synthesis parameters (pitch, amplitude, etc.). We call this system the Chamber Ensemble Generator (CEG), and use it to generate a large dataset of chorales from four different chamber ensembles (CocoChorales). We demonstrate that data generated using our approach improves state-of-the-art models for music transcription and source separation, and we release both the system and the dataset as an open-source foundation for future work in the MIR community.
Key facts. Cited by 10 papers in the map (data through 7 Oct 2026). Builds on 60 of its 94 references that are in the map. First posted on arXiv 28 Sep 2022.
Builds on
60 of 94 references.
References · 60
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38 more
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50 most cited of 60 All 60 (JSON)
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Citing papers per year: 2023: 2; 2024: 4; 2025: 2; 2026: 2.
10 papers.
- 2023Blind Audio Bandwidth Extension: A Diffusion-Based Zero-Shot Approachcited by 21
- 2024COCOLA: Coherence-Oriented Contrastive Learning of Musical Audio Representationscited by 14
- 2023Composer's Assistant: An Interactive Transformer for Multi-Track MIDI Infillingcited by 9
- 2024Latent Diffusion Bridges for Unsupervised Musical Audio Timbre Transfercited by 9
- 2025Learning Interpretable Features in Audio Latent Spaces via Sparse Autoencoderscited by 5
- 2024DisMix: Disentangling Mixtures of Musical Instruments for Source-level Pitch and Timbre Manipulationcited by 3
- 2024Multi-view MidiVAE: Fusing Track- and Bar-view Representations for Long Multi-track Symbolic Music Generationcited by 2
- 2026PHALAR: Phasors for Learned Musical Audio Representationscited by 1
- 2025LadderSym: A Multimodal Interleaved Transformer for Music Practice Error Detectioncited by 0
- 2026Remix the Timbre: Diffusion-Based Style Transfer Across Polyphonic Stemscited by 0
- 2026Remix the Timbre: Diffusion-Based Style Transfer Across Polyphonic Stems10 May 2026
- 2026PHALAR: Phasors for Learned Musical Audio Representations5 May 2026
- 2025Learning Interpretable Features in Audio Latent Spaces via Sparse Autoencoders27 Oct 2025
- 2025LadderSym: A Multimodal Interleaved Transformer for Music Practice Error Detection16 Sep 2025
- 2024Latent Diffusion Bridges for Unsupervised Musical Audio Timbre Transfer9 Sep 2024
- 2024DisMix: Disentangling Mixtures of Musical Instruments for Source-level Pitch and Timbre Manipulation20 Aug 2024
- 2024COCOLA: Coherence-Oriented Contrastive Learning of Musical Audio Representations25 Apr 2024
- 2024Multi-view MidiVAE: Fusing Track- and Bar-view Representations for Long Multi-track Symbolic Music Generation15 Jan 2024
- 2023Blind Audio Bandwidth Extension: A Diffusion-Based Zero-Shot Approach2 Jun 2023
- 2023Composer's Assistant: An Interactive Transformer for Multi-Track MIDI Infilling29 Jan 2023