Deep Learning and Music Adversaries
Not on the map. Why?
Abstract (arXiv)
An adversary is essentially an algorithm intent on making a classification system perform in some particular way given an input, e.g., increase the probability of a false negative. Recent work builds adversaries for deep learning systems applied to image object recognition, which exploits the parameters of the system to find the minimal perturbation of the input image such that the network misclassifies it with high confidence. We adapt this approach to construct and deploy an adversary of deep learning systems applied to music content analysis. In our case, however, the input to the systems is magnitude spectral frames, which requires special care in order to produce valid input audio signals from network-derived perturbations. For two different train-test partitionings of two benchmark datasets, and two different deep architectures, we find that this adversary is very effective in defeating the resulting systems. We find the convolutional networks are more robust, however, compared with systems based on a majority vote over individually classified audio frames. Furthermore, we integrate the adversary into the training of new deep systems, but do not find that this improves their resilience against the same adversary.
Key facts. Cited by 20 papers in the map (data through 14 Oct 2026). First posted on arXiv 16 Jul 2015.
Builds on
No reference list yet.
Built on by
Citing papers per year: 2021: 3; 2022: 2; 2023: 5; 2024: 3; 2025: 5; 2026: 2.
20 papers.
Sort:
- 2023MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Trainingcited by 181
- 2025MuQ: Self-Supervised Music Representation Learning with Mel Residual Vector Quantizationcited by 68
- 2021Codified audio language modeling learns useful representations for music information retrievalcited by 64
- 2023MARBLE: Music Audio Representation Benchmark for Universal Evaluationcited by 38
- 2022Low-Resource Music Genre Classification with Cross-Modal Neural Model Reprogrammingcited by 17
- 2021Improving the Adversarial Robustness for Speaker Verification by Self-Supervised Learningcited by 16
- 2024OpenMU: Your Swiss Army Knife for Music Understandingcited by 9
- 2024Who Can Withstand Chat-Audio Attacks? An Evaluation Benchmark for Large Audio-Language Modelscited by 7
- 2023Learning Music Sequence Representation from Text Supervisioncited by 5
- 2023On the Effectiveness of Speech Self-supervised Learning for Musiccited by 5
- 2021CycleDRUMS: Automatic Drum Arrangement For Bass Lines Using CycleGANcited by 4
- 2024Arabic Synonym BERT-based Adversarial Examples for Text Classificationcited by 3
8 more
- 2025Myna: Masking-Based Contrastive Learning of Musical Representationscited by 3
- 2025MAIA: An Inpainting-Based Approach for Music Adversarial Attackscited by 2
- 2022Attacks as Defenses: Designing Robust Audio CAPTCHAs Using Attacks on Automatic Speech Recognition Systemscited by 1
- 2023Audio Contrastive-based Fine-tuning: Decoupling Representation Learning and Classificationcited by 0
- 2025"I made this (sort of)": Negotiating authorship, confronting fraudulence, and exploring new musical spaces with prompt-based AI music generationcited by 0
- 2025Are Inherently Interpretable Models More Robust? A Study In Music Emotion Recognitioncited by 0
- 2026Linear Complexity Self-Supervised Learning for Music Understanding with Random Quantizercited by 0
- 2026What Makes a Good Layer? Assessing the Layer-Wise Intrinsic Properties of Music Foundation Modelscited by 0
- 2026What Makes a Good Layer? Assessing the Layer-Wise Intrinsic Properties of Music Foundation Models14 Aug 2026
- 2026Linear Complexity Self-Supervised Learning for Music Understanding with Random Quantizer14 Jan 2026
- 2025MAIA: An Inpainting-Based Approach for Music Adversarial Attacks5 Sep 2025
- 2025Are Inherently Interpretable Models More Robust? A Study In Music Emotion Recognition5 Aug 2025
- 2025"I made this (sort of)": Negotiating authorship, confronting fraudulence, and exploring new musical spaces with prompt-based AI music generation31 Jul 2025
- 2025Myna: Masking-Based Contrastive Learning of Musical Representations18 Feb 2025
- 2025MuQ: Self-Supervised Music Representation Learning with Mel Residual Vector Quantization2 Jan 2025
- 2024Who Can Withstand Chat-Audio Attacks? An Evaluation Benchmark for Large Audio-Language Models22 Nov 2024
- 2024OpenMU: Your Swiss Army Knife for Music Understanding21 Oct 2024
- 2024Arabic Synonym BERT-based Adversarial Examples for Text Classification5 Feb 2024
- 2023Audio Contrastive-based Fine-tuning: Decoupling Representation Learning and Classification21 Sep 2023
- 2023On the Effectiveness of Speech Self-supervised Learning for Music11 Jul 2023
8 more
- 2023MARBLE: Music Audio Representation Benchmark for Universal Evaluation18 Jun 2023
- 2023MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Training31 May 2023
- 2023Learning Music Sequence Representation from Text Supervision31 May 2023
- 2022Low-Resource Music Genre Classification with Cross-Modal Neural Model Reprogramming2 Nov 2022
- 2022Attacks as Defenses: Designing Robust Audio CAPTCHAs Using Attacks on Automatic Speech Recognition Systems10 Mar 2022
- 2021Codified audio language modeling learns useful representations for music information retrieval12 Jul 2021
- 2021Improving the Adversarial Robustness for Speaker Verification by Self-Supervised Learning1 Jun 2021
- 2021CycleDRUMS: Automatic Drum Arrangement For Bass Lines Using CycleGAN1 Apr 2021
- 2023MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Trainingcited by 181
- 2025MuQ: Self-Supervised Music Representation Learning with Mel Residual Vector Quantizationcited by 68
- 2021Codified audio language modeling learns useful representations for music information retrievalcited by 64
- 2023MARBLE: Music Audio Representation Benchmark for Universal Evaluationcited by 38
- 2022Low-Resource Music Genre Classification with Cross-Modal Neural Model Reprogrammingcited by 17
- 2021Improving the Adversarial Robustness for Speaker Verification by Self-Supervised Learningcited by 16
- 2024OpenMU: Your Swiss Army Knife for Music Understandingcited by 9
- 2024Who Can Withstand Chat-Audio Attacks? An Evaluation Benchmark for Large Audio-Language Modelscited by 7
- 2023Learning Music Sequence Representation from Text Supervisioncited by 5
- 2023On the Effectiveness of Speech Self-supervised Learning for Musiccited by 5
- 2021CycleDRUMS: Automatic Drum Arrangement For Bass Lines Using CycleGANcited by 4
- 2024Arabic Synonym BERT-based Adversarial Examples for Text Classificationcited by 3
12 most cited of 20 All 20 (JSON)
- 2026What Makes a Good Layer? Assessing the Layer-Wise Intrinsic Properties of Music Foundation Models14 Aug 2026
- 2026Linear Complexity Self-Supervised Learning for Music Understanding with Random Quantizer14 Jan 2026
- 2025MAIA: An Inpainting-Based Approach for Music Adversarial Attacks5 Sep 2025
- 2025Are Inherently Interpretable Models More Robust? A Study In Music Emotion Recognition5 Aug 2025
- 2025"I made this (sort of)": Negotiating authorship, confronting fraudulence, and exploring new musical spaces with prompt-based AI music generation31 Jul 2025
- 2025Myna: Masking-Based Contrastive Learning of Musical Representations18 Feb 2025
- 2025MuQ: Self-Supervised Music Representation Learning with Mel Residual Vector Quantization2 Jan 2025
- 2024Who Can Withstand Chat-Audio Attacks? An Evaluation Benchmark for Large Audio-Language Models22 Nov 2024
- 2024OpenMU: Your Swiss Army Knife for Music Understanding21 Oct 2024
- 2024Arabic Synonym BERT-based Adversarial Examples for Text Classification5 Feb 2024
- 2023Audio Contrastive-based Fine-tuning: Decoupling Representation Learning and Classification21 Sep 2023
- 2023On the Effectiveness of Speech Self-supervised Learning for Music11 Jul 2023
12 newest of 20 All 20 (JSON)