mlsanityData to 7 Oct 2026

Towards Learning Universal Audio Representations

arXiv 2111.12124 ↗First posted 23 Nov 2021cs.SD eess.AScited by 51

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Abstract (arXiv)

The ability to learn universal audio representations that can solve diverse speech, music, and environment tasks can spur many applications that require general sound content understanding. In this work, we introduce a holistic audio representation evaluation suite (HARES) spanning 12 downstream tasks across audio domains and provide a thorough empirical study of recent sound representation learning systems on that benchmark. We discover that previous sound event classification or speech models do not generalize outside of their domains. We observe that more robust audio representations can be learned with the SimCLR objective; however, the model's transferability depends heavily on the model architecture. We find the Slowfast architecture is good at learning rich representations required by different domains, but its performance is affected by the normalization scheme. Based on these findings, we propose a novel normalizer-free Slowfast NFNet and achieve state-of-the-art performance across all domains.

Key facts. Cited by 51 papers in the map (data through 7 Oct 2026). First posted on arXiv 23 Nov 2021.

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Citing papers per year: 2022: 19; 2023: 14; 2024: 9; 2025: 7; 2026: 2.

51 papers.

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  1. 2022Self-Supervised Speech Representation Learning: A Reviewcited by 258
  2. 2023MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Trainingcited by 175
  3. 2022HEAR: Holistic Evaluation of Audio Representationscited by 77
  4. 2022Audio Self-supervised Learning: A Surveycited by 65
  5. 2023MARBLE: Music Audio Representation Benchmark for Universal Evaluationcited by 38
  6. 2022Supervised and Unsupervised Learning of Audio Representations for Music Understandingcited by 34
  7. 2022Contrastive Audio-Language Learning for Musiccited by 32
  8. 2023Self-supervised Audio Teacher-Student Transformer for Both Clip-level and Frame-level Taskscited by 25
  9. 2022Masked Modeling Duo: Learning Representations by Encouraging Both Networks to Model the Inputcited by 23
  10. 2022Sound Localization by Self-Supervised Time Delay Estimationcited by 18
  11. 2022Opening the Black Box of wav2vec Feature Encodercited by 18
  12. 2024HeAR -- Health Acoustic Representationscited by 15
38 more
  1. 2024TIM: A Time Interval Machine for Audio-Visual Action Recognitioncited by 15
  2. 2025CMI-Bench: A Comprehensive Benchmark for Evaluating Music Instruction Followingcited by 15
  3. 2024Benchmarking Representations for Speech, Music, and Acoustic Eventscited by 14
  4. 2022The Chamber Ensemble Generator: Limitless High-Quality MIR Data via Generative Modelingcited by 10
  5. 2022Equivariant Self-Supervision for Musical Tempo Estimationcited by 9
  6. 2023EnCodecMAE: Leveraging neural codecs for universal audio representation learningcited by 9
  7. 2026Massive Sound Embedding Benchmark (MSEB)cited by 9
  8. 2024Stem-JEPA: A Joint-Embedding Predictive Architecture for Musical Stem Compatibility Estimationcited by 8
  9. 2024Music Foundation Model as Generic Booster for Music Downstream Taskscited by 6
  10. 2023On the Effectiveness of Speech Self-supervised Learning for Musiccited by 5
  11. 2022SLICER: Learning universal audio representations using low-resource self-supervised pre-trainingcited by 4
  12. 2023Self-supervised learning for infant cry analysiscited by 4
  13. 2024On the Effect of Data-Augmentation on Local Embedding Properties in the Contrastive Learning of Music Audio Representationscited by 4
  14. 2024An Experimental Comparison Of Multi-view Self-supervised Methods For Music Taggingcited by 4
  15. 2024I can listen but cannot read: An evaluation of two-tower multimodal systems for instrument recognitioncited by 4
  16. 2025Masked Latent Prediction and Classification for Self-Supervised Audio Representation Learningcited by 4
  17. 2022MAST: Multiscale Audio Spectrogram Transformerscited by 3
  18. 2023Looking Similar, Sounding Different: Leveraging Counterfactual Cross-Modal Pairs for Audiovisual Representation Learningcited by 3
  19. 2023Active Bird2Vec: Towards End-to-End Bird Sound Monitoring with Transformerscited by 3
  20. 2025Myna: Masking-Based Contrastive Learning of Musical Representationscited by 3
  21. 2025Revisiting Audio-language Pretraining for Learning General-purpose Audio Representationcited by 3
  22. 2022Self-supervised learning for robust voice cloningcited by 2
  23. 2023Optimizing Audio Augmentations for Contrastive Learning of Health-Related Acoustic Signalscited by 2
  24. 2023Unsupervised Musical Object Discovery from Audiocited by 2
  25. 2024Exploring Federated Self-Supervised Learning for General Purpose Audio Understandingcited by 2
  26. 2025Emergent musical properties of a transformer under contrastive self-supervised learningcited by 2
  27. 2022A Study on Robustness to Perturbations for Representations of Environmental Soundcited by 1
  28. 2022Learning neural audio features without supervisioncited by 1
  29. 2022Leveraging Systematic Knowledge of 2D Transformationscited by 1
  30. 2023Of Spiky SVDs and Music Recommendationcited by 1
  31. 2023On the choice of the optimal temporal support for audio classification with Pre-trained embeddingscited by 1
  32. 2025Evaluation of Deep Audio Representations for Hearablescited by 1
  33. 2022Representation Learning for the Automatic Indexing of Sound Effects Librariescited by 0
  34. 2022Pathway to Future Symbiotic Creativitycited by 0
  35. 2022Contrastive Self-Supervised Learning for Skeleton Representationscited by 0
  36. 2023UNFUSED: UNsupervised Finetuning Using SElf supervised Distillationcited by 0
  37. 2023AudioInceptionNeXt: TCL AI LAB Submission to EPIC-SOUND Audio-Based-Interaction-Recognition Challenge 2023cited by 0
  38. 2025GRAM: Spatial general-purpose audio representation models for real-world applicationscited by 0

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