Deep Learning Based Source Separation Applied To Choir Ensembles
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Abstract (arXiv)
Choral singing is a widely practiced form of ensemble singing wherein a group of people sing simultaneously in polyphonic harmony. The most commonly practiced setting for choir ensembles consists of four parts; Soprano, Alto, Tenor and Bass (SATB), each with its own range of fundamental frequencies (F0s). The task of source separation for this choral setting entails separating the SATB mixture into the constituent parts. Source separation for musical mixtures is well studied and many deep learning based methodologies have been proposed for the same. However, most of the research has been focused on a typical case which consists in separating vocal, percussion and bass sources from a mixture, each of which has a distinct spectral structure. In contrast, the simultaneous and harmonic nature of ensemble singing leads to high structural similarity and overlap between the spectral components of the sources in a choral mixture, making source separation for choirs a harder task than the typical case. This, along with the lack of an appropriate consolidated dataset has led to a dearth of research in the field so far. In this paper we first assess how well some of the recently developed methodologies for musical source separation perform for the case of SATB choirs. We then propose a novel domain-specific adaptation for conditioning the recently proposed U-Net architecture for musical source separation using the fundamental frequency contour of each of the singing groups and demonstrate that our proposed approach surpasses results from domain-agnostic architectures.
Key facts. Cited by 10 papers in the map (data through 13 Oct 2026). First posted on arXiv 17 Aug 2020.
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Citing papers per year: 2021: 1; 2022: 5; 2023: 0; 2024: 1; 2025: 1; 2026: 2.
10 papers.
- 2024Foundation Models for Music: A Surveycited by 35
- 2021A cappella: Audio-visual Singing Voice Separationcited by 12
- 2022The Chamber Ensemble Generator: Limitless High-Quality MIR Data via Generative Modelingcited by 10
- 2022JaCappella Corpus: A Japanese a Cappella Vocal Ensemble Corpuscited by 5
- 2022Unsupervised Music Source Separation Using Differentiable Parametric Source Modelscited by 4
- 2022Differentiable Digital Signal Processing Mixture Model for Synthesis Parameter Extraction from Mixture of Harmonic Soundscited by 4
- 2022MedleyVox: An Evaluation Dataset for Multiple Singing Voices Separationcited by 3
- 2025Source Separation for A Cappella Musiccited by 0
- 2026MambaVoice: Lightweight Audiovisual Singing Voice Separation Via A Hybrid Mamba-Transformer Modelcited by 0
- 2026Revisiting Input Time-frequency Representations in Multi-pitch Estimation for Vocal Ensemblescited by 0
- 2026Revisiting Input Time-frequency Representations in Multi-pitch Estimation for Vocal Ensembles2 Oct 2026
- 2026MambaVoice: Lightweight Audiovisual Singing Voice Separation Via A Hybrid Mamba-Transformer Model22 Sep 2026
- 2025Source Separation for A Cappella Music30 Sep 2025
- 2024Foundation Models for Music: A Survey26 Aug 2024
- 2022JaCappella Corpus: A Japanese a Cappella Vocal Ensemble Corpus29 Nov 2022
- 2022MedleyVox: An Evaluation Dataset for Multiple Singing Voices Separation14 Nov 2022
- 2022The Chamber Ensemble Generator: Limitless High-Quality MIR Data via Generative Modeling28 Sep 2022
- 2022Differentiable Digital Signal Processing Mixture Model for Synthesis Parameter Extraction from Mixture of Harmonic Sounds1 Feb 2022
- 2022Unsupervised Music Source Separation Using Differentiable Parametric Source Models24 Jan 2022
- 2021A cappella: Audio-visual Singing Voice Separation20 Apr 2021