mlsanityData to 7 Oct 2026

Creating A Multi-track Classical Musical Performance Dataset for Multimodal Music Analysis: Challenges, Insights, and Applications

arXiv 1612.08727 ↗First posted 27 Dec 2016cs.MM cs.SDcited by 60

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Abstract (arXiv)

We introduce a dataset for facilitating audio-visual analysis of music performances. The dataset comprises 44 simple multi-instrument classical music pieces assembled from coordinated but separately recorded performances of individual tracks. For each piece, we provide the musical score in MIDI format, the audio recordings of the individual tracks, the audio and video recording of the assembled mixture, and ground-truth annotation files including frame-level and note-level transcriptions. We describe our methodology for the creation of the dataset, particularly highlighting our approaches for addressing the challenges involved in maintaining synchronization and expressiveness. We demonstrate the high quality of synchronization achieved with our proposed approach by comparing the dataset with existing widely-used music audio datasets. We anticipate that the dataset will be useful for the development and evaluation of existing music information retrieval (MIR) tasks, as well as for novel multi-modal tasks. We benchmark two existing MIR tasks (multi-pitch analysis and score-informed source separation) on the dataset and compare with other existing music audio datasets. Additionally, we consider two novel multi-modal MIR tasks (visually informed multi-pitch analysis and polyphonic vibrato analysis) enabled by the dataset and provide evaluation measures and baseline systems for future comparisons (from our recent work). Finally, we propose several emerging research directions that the dataset enables.

Key facts. Cited by 60 papers in the map (data through 7 Oct 2026). First posted on arXiv 27 Dec 2016.

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Cited by year (2026 to 7 Oct)

Citing papers per year: 2021: 13; 2022: 9; 2023: 6; 2024: 10; 2025: 17; 2026: 5.

60 papers.

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  1. 2021Taming Visually Guided Sound Generationcited by 136
  2. 2021MT3: Multi-Task Multitrack Music Transcriptioncited by 70
  3. 2021Multimodal Image Synthesis and Editing: The Generative AI Eracited by 52
  4. 2022Multi-instrument Music Synthesis with Spectrogram Diffusioncited by 42
  5. 2022Sound-Guided Semantic Video Generationcited by 35
  6. 2021MIDI-DDSP: Detailed Control of Musical Performance via Hierarchical Modelingcited by 31
  7. 2022Video Background Music Generation: Dataset, Method and Evaluationcited by 28
  8. 2024A Comprehensive Survey on Human Video Generation: Challenges, Methods, and Insightscited by 24
  9. 2021A Unified Model for Zero-shot Music Source Separation, Transcription and Synthesiscited by 18
  10. 2021Piano Skills Assessmentcited by 16
  11. 2025HarmonySet: A Comprehensive Dataset for Understanding Video-Music Semantic Alignment and Temporal Synchronizationcited by 14
  12. 2022DDX7: Differentiable FM Synthesis of Musical Instrument Soundscited by 13
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  1. 2024YourMT3+: Multi-instrument Music Transcription with Enhanced Transformer Architectures and Cross-dataset Stem Augmentationcited by 13
  2. 2021Neural Waveshaping Synthesiscited by 12
  3. 2022The Chamber Ensemble Generator: Limitless High-Quality MIR Data via Generative Modelingcited by 10
  4. 2024Combining audio control and style transfer using latent diffusioncited by 10
  5. 2022Auto-regressive Image Synthesis with Integrated Quantizationcited by 9
  6. 2023Transformation vs Tradition: Artificial General Intelligence (AGI) for Arts and Humanitiescited by 9
  7. 2021Timbre Transfer with Variational Auto Encoding and Cycle-Consistent Adversarial Networkscited by 8
  8. 2024A Stem-Agnostic Single-Decoder System for Music Source Separation Beyond Four Stemscited by 7
  9. 2025The GigaMIDI Dataset with Features for Expressive Music Performance Detectioncited by 7
  10. 2022Towards Robust Unsupervised Disentanglement of Sequential Data -- A Case Study Using Music Audiocited by 6
  11. 2024Music Foundation Model as Generic Booster for Music Downstream Taskscited by 6
  12. 2024Toward Fully Self-Supervised Multi-Pitch Estimationcited by 5
  13. 2021Differentiable Wavetable Synthesiscited by 4
  14. 2022Differentiable Digital Signal Processing Mixture Model for Synthesis Parameter Extraction from Mixture of Harmonic Soundscited by 4
  15. 2023Generating Realistic Images from In-the-wild Soundscited by 4
  16. 2024SynthSOD: Developing an Heterogeneous Dataset for Orchestra Music Source Separationcited by 4
  17. 2025A Comprehensive Survey on Generative AI for Video-to-Music Generationcited by 4
  18. 2025Vision-to-Music Generation: A Surveycited by 4
  19. 2025A Survey on Music Generation from Single-Modal, Cross-Modal, and Multi-Modal Perspectivescited by 4
  20. 2025Moonbeam: A MIDI Foundation Model Using Both Absolute and Relative Music Attributescited by 4
  21. 2025XModBench: Benchmarking Cross-Modal Capabilities and Consistency in Omni-Language Modelscited by 4
  22. 2021Audiovisual Singing Voice Separationcited by 3
  23. 2022AIMusicGuru: Music Assisted Human Pose Correctioncited by 3
  24. 2023Timbre-Trap: A Low-Resource Framework for Instrument-Agnostic Music Transcriptioncited by 3
  25. 2024MOSA: Music Motion with Semantic Annotation Dataset for Cross-Modal Music Processingcited by 3
  26. 2025UniverSR: Unified and Versatile Audio Super-Resolution via Vocoder-Free Flow Matchingcited by 3
  27. 2023Visually-Guided Sound Source Separation with Audio-Visual Predictive Codingcited by 2
  28. 2024Applications and Advances of Artificial Intelligence in Music Generation:A Reviewcited by 2
  29. 2025Video Soundtrack Generation by Aligning Emotions and Temporal Boundariescited by 2
  30. 2025Score-informed Music Source Separation: Improving Synthetic-to-real Generalization in Classical Musiccited by 2
  31. 2025Video Object Segmentation-Aware Audio Generationcited by 2
  32. 2025Count The Notes: Histogram-Based Supervision for Automatic Music Transcriptioncited by 2
  33. 2026MRMAD: A Multi-Round Multi-Audio Benchmark for Evaluating Acoustic Degradation Perception in Large Audio-Language Modelscited by 2
  34. 2021Automated Side Channel Analysis of Media Software with Manifold Learningcited by 1
  35. 2024Evaluating Co-Creativity using Total Information Flowcited by 1
  36. 2025VioPTT: Violin Technique-Aware Transcription from Synthetic Data Augmentationcited by 1
  37. 2025The Spheres Dataset: Multitrack Orchestral Recordings for Music Source Separation and Information Retrievalcited by 1
  38. 2026Summary of The Inaugural Music Source Restoration Challengecited by 1

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