mlsanityData to 7 Oct 2026

Semi-Supervised Music Tagging Transformer

arXiv 2111.13457 ↗First posted 26 Nov 2021cs.SD eess.AScited by 24

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Abstract (arXiv)

We present Music Tagging Transformer that is trained with a semi-supervised approach. The proposed model captures local acoustic characteristics in shallow convolutional layers, then temporally summarizes the sequence of the extracted features using stacked self-attention layers. Through a careful model assessment, we first show that the proposed architecture outperforms the previous state-of-the-art music tagging models that are based on convolutional neural networks under a supervised scheme. The Music Tagging Transformer is further improved by noisy student training, a semi-supervised approach that leverages both labeled and unlabeled data combined with data augmentation. To our best knowledge, this is the first attempt to utilize the entire audio of the million song dataset.

Key facts. Cited by 24 papers in the map (data through 7 Oct 2026). First posted on arXiv 26 Nov 2021.

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Cited by year (2026 to 7 Oct)

Citing papers per year: 2021: 1; 2022: 7; 2023: 9; 2024: 4; 2025: 1; 2026: 2.

24 papers.

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  1. 2023MusiLingo: Bridging Music and Text with Pre-trained Language Models for Music Captioning and Query Responsecited by 45
  2. 2022Supervised and Unsupervised Learning of Audio Representations for Music Understandingcited by 34
  3. 2022Contrastive Audio-Language Learning for Musiccited by 32
  4. 2022Video Background Music Generation: Dataset, Method and Evaluationcited by 28
  5. 2023MuseChat: A Conversational Music Recommendation System for Videoscited by 21
  6. 2023Language-Guided Music Recommendation for Video via Prompt Analogiescited by 18
  7. 2024VMAS: Video-to-Music Generation via Semantic Alignment in Web Music Videoscited by 14
  8. 2023Multitrack Music Transcription with a Time-Frequency Perceivercited by 12
  9. 2022The Chamber Ensemble Generator: Limitless High-Quality MIR Data via Generative Modelingcited by 10
  10. 2022Jointist: Joint Learning for Multi-instrument Transcription and Its Applicationscited by 6
  11. 2022Towards Proper Contrastive Self-supervised Learning Strategies For Music Audio Representationcited by 5
  12. 2023Joint Music and Language Attention Models for Zero-shot Music Taggingcited by 5
12 more
  1. 2021Semi-supervised music emotion recognition using noisy student training and harmonic pitch class profilescited by 3
  2. 2023Jointist: Simultaneous Improvement of Multi-instrument Transcription and Music Source Separation via Joint Trainingcited by 3
  3. 2023WikiMuTe: A web-sourced dataset of semantic descriptions for music audiocited by 3
  4. 2024Augment, Drop & Swap: Improving Diversity in LLM Captions for Efficient Music-Text Representation Learningcited by 3
  5. 2023MDSC: Towards Evaluating the Style Consistency Between Music and Dancecited by 1
  6. 2024Music Auto-Tagging with Robust Music Representation Learned via Domain Adversarial Trainingcited by 1
  7. 2024Towards Training Music Taggers on Synthetic Datacited by 1
  8. 2025CrossMuSim: A Cross-Modal Framework for Music Similarity Retrieval with LLM-Powered Text Description Sourcing and Miningcited by 1
  9. 2022Spectrograms Are Sequences of Patchescited by 0
  10. 2023Self-supervised Auxiliary Loss for Metric Learning in Music Similarity-based Retrieval and Auto-taggingcited by 0
  11. 2026Constructing Composite Features for Interpretable Music-Taggingcited by 0
  12. 2026Real-Time Interactive Music Generation via Data-Free Streaming Consistency Distillationcited by 0