PerformanceNet: Score-to-Audio Music Generation with Multi-Band Convolutional Residual Network
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Abstract (arXiv)
Music creation is typically composed of two parts: composing the musical score, and then performing the score with instruments to make sounds. While recent work has made much progress in automatic music generation in the symbolic domain, few attempts have been made to build an AI model that can render realistic music audio from musical scores. Directly synthesizing audio with sound sample libraries often leads to mechanical and deadpan results, since musical scores do not contain performance-level information, such as subtle changes in timing and dynamics. Moreover, while the task may sound like a text-to-speech synthesis problem, there are fundamental differences since music audio has rich polyphonic sounds. To build such an AI performer, we propose in this paper a deep convolutional model that learns in an end-to-end manner the score-to-audio mapping between a symbolic representation of music called the piano rolls and an audio representation of music called the spectrograms. The model consists of two subnets: the ContourNet, which uses a U-Net structure to learn the correspondence between piano rolls and spectrograms and to give an initial result; and the TextureNet, which further uses a multi-band residual network to refine the result by adding the spectral texture of overtones and timbre. We train the model to generate music clips of the violin, cello, and flute, with a dataset of moderate size. We also present the result of a user study that shows our model achieves higher mean opinion score (MOS) in naturalness and emotional expressivity than a WaveNet-based model and two commercial sound libraries. We open our source code at https://github.com/bwang514/PerformanceNet
Key facts. Cited by 11 papers in the map (data through 14 Oct 2026). First posted on arXiv 11 Nov 2018.
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Citing papers per year: 2021: 2; 2022: 3; 2023: 2; 2024: 2; 2025: 1; 2026: 1.
11 papers.
- 2021MIDI-DDSP: Detailed Control of Musical Performance via Hierarchical Modelingcited by 32
- 2023Physics-Driven Diffusion Models for Impact Sound Synthesis from Videoscited by 22
- 2022Deep Performer: Score-to-Audio Music Performance Synthesiscited by 12
- 2022A Review of Intelligent Music Generation Systemscited by 11
- 2022The Chamber Ensemble Generator: Limitless High-Quality MIR Data via Generative Modelingcited by 10
- 2021Audio-to-symbolic Arrangement via Cross-modal Music Representation Learningcited by 6
- 2023Performance Conditioning for Diffusion-Based Multi-Instrument Music Synthesiscited by 5
- 2024Expressive Acoustic Guitar Sound Synthesis with an Instrument-Specific Input Representation and Diffusion Outpaintingcited by 5
- 2025A Survey on Music Generation from Single-Modal, Cross-Modal, and Multi-Modal Perspectivescited by 4
- 2024A Survey of Music Generation in the Context of Interactioncited by 2
- 2026VIOLET: High-Fidelity Violin Synthesis with Techniques and Dynamicscited by 0
- 2026VIOLET: High-Fidelity Violin Synthesis with Techniques and Dynamics8 Aug 2026
- 2025A Survey on Music Generation from Single-Modal, Cross-Modal, and Multi-Modal Perspectives1 Apr 2025
- 2024A Survey of Music Generation in the Context of Interaction23 Feb 2024
- 2024Expressive Acoustic Guitar Sound Synthesis with an Instrument-Specific Input Representation and Diffusion Outpainting24 Jan 2024
- 2023Performance Conditioning for Diffusion-Based Multi-Instrument Music Synthesis21 Sep 2023
- 2023Physics-Driven Diffusion Models for Impact Sound Synthesis from Videos29 Mar 2023
- 2022A Review of Intelligent Music Generation Systems16 Nov 2022
- 2022The Chamber Ensemble Generator: Limitless High-Quality MIR Data via Generative Modeling28 Sep 2022
- 2022Deep Performer: Score-to-Audio Music Performance Synthesis12 Feb 2022
- 2021Audio-to-symbolic Arrangement via Cross-modal Music Representation Learning30 Dec 2021
- 2021MIDI-DDSP: Detailed Control of Musical Performance via Hierarchical Modeling17 Dec 2021