Contrastive Learning with Positive-Negative Frame Mask for Music Representation
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Abstract (arXiv)
Self-supervised learning, especially contrastive learning, has made an outstanding contribution to the development of many deep learning research fields. Recently, researchers in the acoustic signal processing field noticed its success and leveraged contrastive learning for better music representation. Typically, existing approaches maximize the similarity between two distorted audio segments sampled from the same music. In other words, they ensure a semantic agreement at the music level. However, those coarse-grained methods neglect some inessential or noisy elements at the frame level, which may be detrimental to the model to learn the effective representation of music. Towards this end, this paper proposes a novel Positive-nEgative frame mask for Music Representation based on the contrastive learning framework, abbreviated as PEMR. Concretely, PEMR incorporates a Positive-Negative Mask Generation module, which leverages transformer blocks to generate frame masks on the Log-Mel spectrogram. We can generate self-augmented negative and positive samples by masking important components or inessential components, respectively. We devise a novel contrastive learning objective to accommodate both self-augmented positives/negatives sampled from the same music. We conduct experiments on four public datasets. The experimental results of two music-related downstream tasks, music classification, and cover song identification, demonstrate the generalization ability and transferability of music representation learned by PEMR.
Key facts. Cited by 10 papers in the map (data through 7 Oct 2026). Builds on 36 of its 47 references that are in the map. First posted on arXiv 17 Mar 2022.
Builds on
36 of 47 references.
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Built on by
Citing papers per year: 2022: 2; 2023: 2; 2024: 5; 2025: 1.
10 papers.
- 2023MARBLE: Music Audio Representation Benchmark for Universal Evaluationcited by 38
- 2022Equivariant Self-Supervision for Musical Tempo Estimationcited by 9
- 2024Contrastive Balancing Representation Learning for Heterogeneous Dose-Response Curves Estimationcited by 6
- 2023On the Effectiveness of Speech Self-supervised Learning for Musiccited by 5
- 2024On the Effect of Data-Augmentation on Local Embedding Properties in the Contrastive Learning of Music Audio Representationscited by 4
- 2024Assessing News Thumbnail Representativeness: Counterfactual text can enhance the cross-modal matching abilitycited by 3
- 2024Cross-domain Transfer of Valence Preferences via a Meta-optimization Approachcited by 1
- 2022Pathway to Future Symbiotic Creativitycited by 0
- 2024An approach to hummed-tune and song sequences matchingcited by 0
- 2025Intrinsic and Extrinsic Factor Disentanglement for Recommendation in Various Context Scenarioscited by 0
- 2025Intrinsic and Extrinsic Factor Disentanglement for Recommendation in Various Context Scenarios5 Mar 2025
- 2024An approach to hummed-tune and song sequences matching27 Oct 2024
- 2024Cross-domain Transfer of Valence Preferences via a Meta-optimization Approach24 Jun 2024
- 2024Contrastive Balancing Representation Learning for Heterogeneous Dose-Response Curves Estimation21 Mar 2024
- 2024Assessing News Thumbnail Representativeness: Counterfactual text can enhance the cross-modal matching ability17 Feb 2024
- 2024On the Effect of Data-Augmentation on Local Embedding Properties in the Contrastive Learning of Music Audio Representations17 Jan 2024
- 2023On the Effectiveness of Speech Self-supervised Learning for Music11 Jul 2023
- 2023MARBLE: Music Audio Representation Benchmark for Universal Evaluation18 Jun 2023
- 2022Equivariant Self-Supervision for Musical Tempo Estimation3 Sep 2022
- 2022Pathway to Future Symbiotic Creativity18 Aug 2022