mlsanityData to 7 Oct 2026

End-to-end learning for music audio tagging at scale

arXiv 1711.02520 ↗First posted 7 Nov 2017cs.SD eess.AScited by 25

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Abstract (arXiv)

The lack of data tends to limit the outcomes of deep learning research, particularly when dealing with end-to-end learning stacks processing raw data such as waveforms. In this study, 1.2M tracks annotated with musical labels are available to train our end-to-end models. This large amount of data allows us to unrestrictedly explore two different design paradigms for music auto-tagging: assumption-free models - using waveforms as input with very small convolutional filters; and models that rely on domain knowledge - log-mel spectrograms with a convolutional neural network designed to learn timbral and temporal features. Our work focuses on studying how these two types of deep architectures perform when datasets of variable size are available for training: the MagnaTagATune (25k songs), the Million Song Dataset (240k songs), and a private dataset of 1.2M songs. Our experiments suggest that music domain assumptions are relevant when not enough training data are available, thus showing how waveform-based models outperform spectrogram-based ones in large-scale data scenarios.

Key facts. Cited by 25 papers in the map (data through 7 Oct 2026). First posted on arXiv 7 Nov 2017.

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Cited by year (2026 to 7 Oct)

Citing papers per year: 2021: 9; 2022: 6; 2023: 3; 2024: 5; 2025: 0; 2026: 2.

25 papers.

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  1. 2021Contrastive Learning of Musical Representationscited by 81
  2. 2022Supervised and Unsupervised Learning of Audio Representations for Music Understandingcited by 34
  3. 2021MusCaps: Generating Captions for Music Audiocited by 23
  4. 2021HumBugDB: A Large-scale Acoustic Mosquito Datasetcited by 15
  5. 2022Explainability in Music Recommender Systemscited by 15
  6. 2024A Multimodal Single-Branch Embedding Network for Recommendation in Cold-Start and Missing Modality Scenarioscited by 12
  7. 2021Tracing Back Music Emotion Predictions to Sound Sources and Intuitive Perceptual Qualitiescited by 9
  8. 2022EfficientLEAF: A Faster LEarnable Audio Frontend of Questionable Usecited by 8
  9. 2023Perceptual Musical Features for Interpretable Audio Taggingcited by 7
  10. 2023Learning Music Sequence Representation from Text Supervisioncited by 5
  11. 2023From West to East: Who can understand the music of the others better?cited by 5
  12. 2022Enhancing Affective Representations of Music-Induced EEG through Multimodal Supervision and latent Domain Adaptationcited by 3
13 more
  1. 2022Adversarial Audio Synthesis with Complex-valued Polynomial Networkscited by 3
  2. 2021Supervised Chorus Detection for Popular Music Using Convolutional Neural Network and Multi-task Learningcited by 1
  3. 2024Music Auto-Tagging with Robust Music Representation Learned via Domain Adversarial Trainingcited by 1
  4. 2024Towards Training Music Taggers on Synthetic Datacited by 1
  5. 2021MuSLCAT: Multi-Scale Multi-Level Convolutional Attention Transformer for Discriminative Music Modeling on Raw Waveformscited by 0
  6. 2021A Modulation Front-End for Music Audio Taggingcited by 0
  7. 2021Learning Sparse Analytic Filters for Piano Transcriptioncited by 0
  8. 2021Multi-task Learning with Metadata for Music Mood Classificationcited by 0
  9. 2022End-to-End Audio Strikes Back: Boosting Augmentations Towards An Efficient Audio Classification Networkcited by 0
  10. 2024Music Era Recognition Using Supervised Contrastive Learning and Artist Informationcited by 0
  11. 2024Music Genre Classification using Large Language Modelscited by 0
  12. 2026Linear Complexity Self-Supervised Learning for Music Understanding with Random Quantizercited by 0
  13. 2026Constructing Composite Features for Interpretable Music-Taggingcited by 0