Count The Notes: Histogram-Based Supervision for Automatic Music Transcription
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Abstract (arXiv)
Automatic Music Transcription (AMT) converts audio recordings into symbolic musical representations. Training deep neural networks (DNNs) for AMT typically requires strongly aligned training pairs with precise frame-level annotations. Since creating such datasets is costly and impractical for many musical contexts, weakly aligned approaches using segment-level annotations have gained traction. However, existing methods often rely on Dynamic Time Warping (DTW) or soft alignment loss functions, both of which still require local semantic correspondences, making them error-prone and computationally expensive. In this article, we introduce CountEM, a novel AMT framework that eliminates the need for explicit local alignment by leveraging note event histograms as supervision, enabling lighter computations and greater flexibility. Using an Expectation-Maximization (EM) approach, CountEM iteratively refines predictions based solely on note occurrence counts, significantly reducing annotation efforts while maintaining high transcription accuracy. Experiments on piano, guitar, and multi-instrument datasets demonstrate that CountEM matches or surpasses existing weakly supervised methods, improving AMT's robustness, scalability, and efficiency. Our project page is available at https://yoni-yaffe.github.io/count-the-notes.
Key facts. Cited by 2 papers in the map (data through 14 Oct 2026). Builds on 12 of its 19 references that are in the map. First posted on arXiv 18 Nov 2025.
Builds on
12 of 19 references.
References · 12
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- 2017Onsets and Frames: Dual-Objective Piano Transcriptioncited by 94
- 2021MT3: Multi-Task Multitrack Music Transcriptioncited by 71
- 2016Creating A Multi-track Classical Musical Performance Dataset for Multimodal Music Analysis: Challenges, Insights, and Applicationscited by 61
- 2020High-resolution Piano Transcription with Pedals by Regressing Onset and Offset Timescited by 61
- 2016Learning Features of Music from Scratchcited by 58
- 2022Unaligned Supervision For Automatic Music Transcription in The Wildcited by 25
- 2023PESTO: Pitch Estimation with Self-supervised Transposition-equivariant Objectivecited by 18
- 2024High Resolution Guitar Transcription via Domain Adaptationcited by 15
- 2017Invariances and Data Augmentation for Supervised Music Transcriptioncited by 12
- 2024GAPS: A Large and Diverse Classical Guitar Dataset and Benchmark Transcription Modelcited by 8
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Citing papers per year: 2026: 2.
2 papers.