mlsanityData to 14 Oct 2026

MarginNCE: Robust Sound Localization with a Negative Margin

arXiv 2211.01966 ↗First posted 3 Nov 2022cs.CV cs.MM cs.SDcited by 16

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Abstract (arXiv)

The goal of this work is to localize sound sources in visual scenes with a self-supervised approach. Contrastive learning in the context of sound source localization leverages the natural correspondence between audio and visual signals where the audio-visual pairs from the same source are assumed as positive, while randomly selected pairs are negatives. However, this approach brings in noisy correspondences; for example, positive audio and visual pair signals that may be unrelated to each other, or negative pairs that may contain semantically similar samples to the positive one. Our key contribution in this work is to show that using a less strict decision boundary in contrastive learning can alleviate the effect of noisy correspondences in sound source localization. We propose a simple yet effective approach by slightly modifying the contrastive loss with a negative margin. Extensive experimental results show that our approach gives on-par or better performance than the state-of-the-art methods. Furthermore, we demonstrate that the introduction of a negative margin to existing methods results in a consistent improvement in performance.

Key facts. Cited by 16 papers in the map (data through 14 Oct 2026). Builds on 31 of its 34 references that are in the map. First posted on arXiv 3 Nov 2022.

Builds on

31 of 34 references.

References · 31

  1. 2018Representation Learning with Contrastive Predictive Codingcited by 7,777
  2. 2020VGGSound: A Large-scale Audio-Visual Datasetcited by 648
  3. 2019What Makes Training Multi-Modal Classification Networks Hard?cited by 344
  4. 2018Audio-Visual Scene Analysis with Self-Supervised Multisensory Featurescited by 335
  5. 2017Objects that Soundcited by 256
  6. 2018Cooperative Learning of Audio and Video Models from Self-Supervised Synchronizationcited by 249
  7. 2016SoundNet: Learning Sound Representations from Unlabeled Videocited by 247
  8. 2019EPIC-Fusion: Audio-Visual Temporal Binding for Egocentric Action Recognitioncited by 226
  9. 2018Learning to Localize Sound Source in Visual Scenescited by 189
  10. 2020Self-Supervised Learning of Audio-Visual Objects from Videocited by 188
  11. 2021Localizing Visual Sounds the Hard Waycited by 170
  12. 2019Listen to Look: Action Recognition by Previewing Audiocited by 163
19 more
  1. 2019The Sound of Motionscited by 146
  2. 2020Audiovisual SlowFast Networks for Video Recognitioncited by 146
  3. 2020Negative Margin Matters: Understanding Margin in Few-shot Classificationcited by 129
  4. 2020Multiple Sound Sources Localization from Coarse to Finecited by 118
  5. 2021VisualVoice: Audio-Visual Speech Separation with Cross-Modal Consistencycited by 114
  6. 2019Co-Separating Sounds of Visual Objectscited by 110
  7. 2020Discriminative Sounding Objects Localization via Self-supervised Audiovisual Matchingcited by 104
  8. 2018Self-Supervised Generation of Spatial Audio for 360 Videocited by 93
  9. 2022Localizing Visual Sounds the Easy Waycited by 82
  10. 2021Robust Audio-Visual Instance Discriminationcited by 80
  11. 2022A Closer Look at Weakly-Supervised Audio-Visual Source Localizationcited by 73
  12. 2020Into the Wild with AudioScope: Unsupervised Audio-Visual Separation of On-Screen Soundscited by 55
  13. 2022Exploiting Transformation Invariance and Equivariance for Self-supervised Sound Localisationcited by 44
  14. 2020Telling Left from Right: Learning Spatial Correspondence of Sight and Soundcited by 43
  15. 2020Delving into Inter-Image Invariance for Unsupervised Visual Representationscited by 37
  16. 2022Learning Sound Localization Better From Semantically Similar Samplescited by 32
  17. 2019Learning to Localize Sound Sources in Visual Scenes: Analysis and Applicationscited by 31
  18. 2022Self-Supervised Predictive Learning: A Negative-Free Method for Sound Source Localization in Visual Scenescited by 31
  19. 2020Seeing voices and hearing voices: learning discriminative embeddings using cross-modal self-supervisioncited by 19

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Citing papers per year: 2023: 4; 2024: 7; 2025: 2; 2026: 3.

16 papers.

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