mlsanityData to 7 Oct 2026

Unsupervised Composable Representations for Audio

arXiv 2408.09792 ↗First posted 19 Aug 2024cs.LG cs.SD eess.AScited by 4

On the map: Diffusion models → Audio, speech and music

Abstract (arXiv)

Current generative models are able to generate high-quality artefacts but have been shown to struggle with compositional reasoning, which can be defined as the ability to generate complex structures from simpler elements. In this paper, we focus on the problem of compositional representation learning for music data, specifically targeting the fully-unsupervised setting. We propose a simple and extensible framework that leverages an explicit compositional inductive bias, defined by a flexible auto-encoding objective that can leverage any of the current state-of-art generative models. We demonstrate that our framework, used with diffusion models, naturally addresses the task of unsupervised audio source separation, showing that our model is able to perform high-quality separation. Our findings reveal that our proposal achieves comparable or superior performance with respect to other blind source separation methods and, furthermore, it even surpasses current state-of-art supervised baselines on signal-to-interference ratio metrics. Additionally, by learning an a-posteriori masking diffusion model in the space of composable representations, we achieve a system capable of seamlessly performing unsupervised source separation, unconditional generation, and variation generation. Finally, as our proposal works in the latent space of pre-trained neural audio codecs, it also provides a lower computational cost with respect to other neural baselines.

Key facts. Cited by 4 papers in the map (data through 7 Oct 2026). Placed in Audio, speech and music, one of 14 directions in Diffusion models. Builds on 38 of its 53 references that are in the map. First posted on arXiv 19 Aug 2024.

Builds on

38 of 53 references.

Closest ancestors · 2

Same direction, newest first

  1. 2023Multi-Source Diffusion Models for Simultaneous Music Generation and Separation4 Feb
  2. 2023AudioLDM: Text-to-Audio Generation with Latent Diffusion Models29 Jan

Other references · 36

  1. 2017Attention Is All You Needcited by 59,932
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  3. 2020Denoising Diffusion Probabilistic Modelscited by 20,851
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24 more
  1. 2022Beyond the Imitation Game: Quantifying and extrapolating the capabilities of language modelscited by 1,970
  2. 2018Group Normalizationcited by 1,514
  3. 2021SoundStream: An End-to-End Neural Audio Codeccited by 756
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  5. 2022High Fidelity Neural Audio Compressioncited by 673
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  15. 2019Music Source Separation in the Waveform Domaincited by 98
  16. 2023Adapting Frechet Audio Distance for Generative Music Evaluationcited by 92
  17. 2019Cutting Music Source Separation Some Slakh: A Dataset to Study the Impact of Training Data Quality and Quantitycited by 86
  18. 2019Measuring Compositionality in Representation Learningcited by 84
  19. 2021RAVE: A variational autoencoder for fast and high-quality neural audio synthesiscited by 72
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Built on by

Cited by year (2026 to 7 Oct)

Citing papers per year: 2024: 1; 2025: 2; 2026: 1.

4 papers.

Similar, not cited

Close in wording, no citation either way

  1. 2025High-Quality Sound Separation Across Diverse Categories via Visually-Guided Generative Modeling
  2. 2025MGE-LDM: Joint Latent Diffusion for Simultaneous Music Generation and Source Extraction
  3. 2023High-Quality Visually-Guided Sound Separation from Diverse Categories
  4. 2024Improving Music Source Separation with Diffusion and Consistency Refinement
  5. 2024Generalized Multi-Source Inference for Text Conditioned Music Diffusion Models
  6. 2026Diff-VS: Efficient Audio-Aware Diffusion U-Net for Vocals Separation
  7. 2025DGMO: Training-Free Audio Source Separation through Diffusion-Guided Mask Optimization
  8. 2024Simultaneous Music Separation and Generation Using Multi-Track Latent Diffusion Models