mlsanityData to 7 Oct 2026

A Lightweight Instrument-Agnostic Model for Polyphonic Note Transcription and Multipitch Estimation

arXiv 2203.09893 ↗First posted 18 Mar 2022cs.SD cs.LG eess.AScited by 27

Not on the map. Why?

Abstract (arXiv)

Automatic Music Transcription (AMT) has been recognized as a key enabling technology with a wide range of applications. Given the task's complexity, best results have typically been reported for systems focusing on specific settings, e.g. instrument-specific systems tend to yield improved results over instrument-agnostic methods. Similarly, higher accuracy can be obtained when only estimating frame-wise f0 values and neglecting the harder note event detection. Despite their high accuracy, such specialized systems often cannot be deployed in the real-world. Storage and network constraints prohibit the use of multiple specialized models, while memory and run-time constraints limit their complexity. In this paper, we propose a lightweight neural network for musical instrument transcription, which supports polyphonic outputs and generalizes to a wide variety of instruments (including vocals). Our model is trained to jointly predict frame-wise onsets, multipitch and note activations, and we experimentally show that this multi-output structure improves the resulting frame-level note accuracy. Despite its simplicity, benchmark results show our system's note estimation to be substantially better than a comparable baseline, and its frame-level accuracy to be only marginally below those of specialized state-of-the-art AMT systems. With this work we hope to encourage the community to further investigate low-resource, instrument-agnostic AMT systems.

Key facts. Cited by 27 papers in the map (data through 7 Oct 2026). Builds on 6 of its 34 references that are in the map. First posted on arXiv 18 Mar 2022.

Builds on

6 of 34 references.

References · 6

  1. 2018Enabling Factorized Piano Music Modeling and Generation with the MAESTRO Datasetcited by 215
  2. 2018CREPE: A Convolutional Representation for Pitch Estimationcited by 109
  3. 2017Onsets and Frames: Dual-Objective Piano Transcriptioncited by 93
  4. 2019Cutting Music Source Separation Some Slakh: A Dataset to Study the Impact of Training Data Quality and Quantitycited by 86
  5. 2021Sequence-to-Sequence Piano Transcription with Transformerscited by 48
  6. 2017An Augmented Lagrangian Method for Piano Transcription using Equal Loudness Thresholding and LSTM-based Decodingcited by 1

Built on by

Cited by year (2026 to 7 Oct)

Citing papers per year: 2022: 1; 2023: 3; 2024: 10; 2025: 6; 2026: 7.

27 papers.

Sort:

By area:

  1. 2023MusicAgent: An AI Agent for Music Understanding and Generation with Large Language Modelscited by 20
  2. 2026AVGen-Bench: A Task-Driven Benchmark for Multi-Granular Evaluation of Text-to-Audio-Video Generationcited by 18
  3. 2024High Resolution Guitar Transcription via Domain Adaptationcited by 15
  4. 2024MusicFlow: Cascaded Flow Matching for Text Guided Music Generationcited by 14
  5. 2024Combining audio control and style transfer using latent diffusioncited by 10
  6. 2024Latent Diffusion Bridges for Unsupervised Musical Audio Timbre Transfercited by 9
  7. 2022FretNet: Continuous-Valued Pitch Contour Streaming for Polyphonic Guitar Tablature Transcriptioncited by 5
  8. 2024Toward Fully Self-Supervised Multi-Pitch Estimationcited by 5
  9. 2023Timbre-Trap: A Low-Resource Framework for Instrument-Agnostic Music Transcriptioncited by 3
  10. 2025PESTO: Real-Time Pitch Estimation with Self-supervised Transposition-equivariant Objectivecited by 3
  11. 2025SwiftF0: Fast and Accurate Monophonic Pitch Detectioncited by 3
  12. 2023Annotation-free Automatic Music Transcription with Scalable Synthetic Data and Adversarial Domain Confusioncited by 2
15 more
  1. 2024MR-MT3: Memory Retaining Multi-Track Music Transcription to Mitigate Instrument Leakagecited by 2
  2. 2024SoundSignature: What Type of Music Do You Like?cited by 2
  3. 2024Prevailing Research Areas for Music AI in the Era of Foundation Modelscited by 1
  4. 2025VioPTT: Violin Technique-Aware Transcription from Synthetic Data Augmentationcited by 1
  5. 2026VidAudio-Bench: Benchmarking V2A and VT2A Generation across Four Audio Categoriescited by 1
  6. 2024Guitar Chord Diagram Suggestion for Western Popular Musiccited by 0
  7. 2024Dynamic HumTrans: Humming Transcription Using CNNs and Dynamic Programmingcited by 0
  8. 2025ANIRA: An Architecture for Neural Network Inference in Real-Time Audio Applicationscited by 0
  9. 2025Investigating an Overfitting and Degeneration Phenomenon in Self-Supervised Multi-Pitch Estimationcited by 0
  10. 2025Exploring System Adaptations For Minimum Latency Real-Time Piano Transcriptioncited by 0
  11. 2026ONOTE: Hypergraph-Grounded Omnimodal Reasoning for Computational Music Sciencecited by 0
  12. 2026Generalized Audio-Driven Synthesis of Precise Drummer Motioncited by 0
  13. 2026Playability-Aware Audio-to-Tablature Guitar Transcription via Diffusion Modelscited by 0
  14. 2026TimeCues Studio: A Workspace for Music Annotation and Algorithm Prototypingcited by 0
  15. 2026TART: A Modular Tool for Technique-Aware Audio-to-Tablature Guitar Transcriptioncited by 0