FretNet: Continuous-Valued Pitch Contour Streaming for Polyphonic Guitar Tablature Transcription
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Abstract (arXiv)
In recent years, the task of Automatic Music Transcription (AMT), whereby various attributes of music notes are estimated from audio, has received increasing attention. At the same time, the related task of Multi-Pitch Estimation (MPE) remains a challenging but necessary component of almost all AMT approaches, even if only implicitly. In the context of AMT, pitch information is typically quantized to the nominal pitches of the Western music scale. Even in more general contexts, MPE systems typically produce pitch predictions with some degree of quantization. In certain applications of AMT, such as Guitar Tablature Transcription (GTT), it is more meaningful to estimate continuous-valued pitch contours. Guitar tablature has the capacity to represent various playing techniques, some of which involve pitch modulation. Contemporary approaches to AMT do not adequately address pitch modulation, and offer only less quantization at the expense of more model complexity. In this paper, we present a GTT formulation that estimates continuous-valued pitch contours, grouping them according to their string and fret of origin. We demonstrate that for this task, the proposed method significantly improves the resolution of MPE and simultaneously yields tablature estimation results competitive with baseline models.
Key facts. Cited by 5 papers in the map (data through 7 Oct 2026). Builds on 11 of its 24 references that are in the map. First posted on arXiv 6 Dec 2022.
Builds on
11 of 24 references.
References · 11
- 2018Enabling Factorized Piano Music Modeling and Generation with the MAESTRO Datasetcited by 215
- 2018CREPE: A Convolutional Representation for Pitch Estimationcited by 109
- 2017Onsets and Frames: Dual-Objective Piano Transcriptioncited by 93
- 2021MT3: Multi-Task Multitrack Music Transcriptioncited by 70
- 2020High-resolution Piano Transcription with Pedals by Regressing Onset and Offset Timescited by 61
- 2019The continuous Bernoulli: fixing a pervasive error in variational autoencoderscited by 40
- 2022A Lightweight Instrument-Agnostic Model for Polyphonic Note Transcription and Multipitch Estimationcited by 27
- 2019Deep Polyphonic ADSR Piano Note Transcriptioncited by 15
- 2022towards automatic transcription of polyphonic electric guitar music:a new dataset and a multi-loss transformer modelcited by 9
- 2021DEEPF0: End-To-End Fundamental Frequency Estimation for Music and Speech Signalscited by 7
- 2022A Data-Driven Methodology for Considering Feasibility and Pairwise Likelihood in Deep Learning Based Guitar Tablature Transcription Systemscited by 3
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Citing papers per year: 2024: 1; 2025: 2; 2026: 2.
5 papers.
- 2024High Resolution Guitar Transcription via Domain Adaptationcited by 15
- 2025GOAT: A Large Dataset of Paired Guitar Audio Recordings and Tablaturescited by 6
- 2025GuitarFlow: Realistic Electric Guitar Synthesis From Tablatures via Flow Matching and Style Transfercited by 1
- 2026Playability-Aware Audio-to-Tablature Guitar Transcription via Diffusion Modelscited by 0
- 2026TART: A Modular Tool for Technique-Aware Audio-to-Tablature Guitar Transcriptioncited by 0
- 2026TART: A Modular Tool for Technique-Aware Audio-to-Tablature Guitar Transcription10 Sep 2026
- 2026Playability-Aware Audio-to-Tablature Guitar Transcription via Diffusion Models31 Aug 2026
- 2025GuitarFlow: Realistic Electric Guitar Synthesis From Tablatures via Flow Matching and Style Transfer23 Oct 2025
- 2025GOAT: A Large Dataset of Paired Guitar Audio Recordings and Tablatures22 Jul 2025
- 2024High Resolution Guitar Transcription via Domain Adaptation23 Feb 2024