mlsanityData to 7 Oct 2026

Variable-Length Music Score Infilling via XLNet and Musically Specialized Positional Encoding

arXiv 2108.05064 ↗First posted 11 Aug 2021cs.SD cs.AI cs.MMcited by 14

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Abstract (arXiv)

This paper proposes a new self-attention based model for music score infilling, i.e., to generate a polyphonic music sequence that fills in the gap between given past and future contexts. While existing approaches can only fill in a short segment with a fixed number of notes, or a fixed time span between the past and future contexts, our model can infill a variable number of notes (up to 128) for different time spans. We achieve so with three major technical contributions. First, we adapt XLNet, an autoregressive model originally proposed for unsupervised model pre-training, to music score infilling. Second, we propose a new, musically specialized positional encoding called relative bar encoding that better informs the model of notes' position within the past and future context. Third, to capitalize relative bar encoding, we perform look-ahead onset prediction to predict the onset of a note one time step before predicting the other attributes of the note. We compare our proposed model with two strong baselines and show that our model is superior in both objective and subjective analyses.

Key facts. Cited by 14 papers in the map (data through 7 Oct 2026). Builds on 30 of its 41 references that are in the map. First posted on arXiv 11 Aug 2021.

Builds on

30 of 41 references.

References · 30

  1. 2017Attention Is All You Needcited by 59,932
  2. 2018BERT: Pre-training of Deep Bidirectional Transformers for Language Understandingcited by 40,204
  3. 2019The Curious Case of Neural Text Degenerationcited by 2,881
  4. 2019XLNet: Generalized Autoregressive Pretraining for Language Understandingcited by 2,801
  5. 2019Transformer-XL: Attentive Language Models Beyond a Fixed-Length Contextcited by 1,830
  6. 2018Self-Attention with Relative Position Representationscited by 1,112
  7. 2019A Comparative Study on Transformer vs RNN in Speech Applicationscited by 210
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  11. 2021Compound Word Transformer: Learning to Compose Full-Song Music over Dynamic Directed Hypergraphscited by 109
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18 more
  1. 2018MaskGAN: Better Text Generation via Filling in the______cited by 89
  2. 2020PopMAG: Pop Music Accompaniment Generationcited by 68
  3. 2018This Time with Feeling: Learning Expressive Musical Performancecited by 67
  4. 2020Felix: Flexible Text Editing Through Tagging and Insertioncited by 58
  5. 2019LakhNES: Improving multi-instrumental music generation with cross-domain pre-trainingcited by 54
  6. 2020The Jazz Transformer on the Front Line: Exploring the Shortcomings of AI-composed Music through Quantitative Measurescited by 53
  7. 2020Blank Language Modelscited by 43
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  9. 2021MuseMorphose: Full-Song and Fine-Grained Piano Music Style Transfer with One Transformer VAEcited by 39
  10. 2016Music transcription modelling and composition using deep learningcited by 36
  11. 2021Relative Positional Encoding for Transformers with Linear Complexitycited by 36
  12. 2019Encoding Musical Style with Transformer Autoencoderscited by 35
  13. 2019Text Infillingcited by 32
  14. 2020Music SketchNet: Controllable Music Generation via Factorized Representations of Pitch and Rhythmcited by 28
  15. 2019Learning to Traverse Latent Spaces for Musical Score Inpaintingcited by 24
  16. 2020Automatic Composition of Guitar Tabs by Transformers and Groove Modelingcited by 14
  17. 2019NONOTO: A Model-agnostic Web Interface for Interactive Music Composition by Inpaintingcited by 10
  18. 2020Generating Music with a Self-Correcting Non-Chronological Autoregressive Modelcited by 5

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Cited by year (2026 to 7 Oct)

Citing papers per year: 2021: 1; 2022: 2; 2023: 4; 2024: 4; 2025: 2; 2026: 1.

14 papers.

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