mlsanityData to 14 Oct 2026

ReconVAT: A Semi-Supervised Automatic Music Transcription Framework for Low-Resource Real-World Data

arXiv 2107.04954 ↗First posted 11 Jul 2021cs.SD cs.LG cs.MMcited by 20

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Abstract (arXiv)

Most of the current supervised automatic music transcription (AMT) models lack the ability to generalize. This means that they have trouble transcribing real-world music recordings from diverse musical genres that are not presented in the labelled training data. In this paper, we propose a semi-supervised framework, ReconVAT, which solves this issue by leveraging the huge amount of available unlabelled music recordings. The proposed ReconVAT uses reconstruction loss and virtual adversarial training. When combined with existing U-net models for AMT, ReconVAT achieves competitive results on common benchmark datasets such as MAPS and MusicNet. For example, in the few-shot setting for the string part version of MusicNet, ReconVAT achieves F1-scores of 61.0% and 41.6% for the note-wise and note-with-offset-wise metrics respectively, which translates into an improvement of 22.2% and 62.5% compared to the supervised baseline model. Our proposed framework also demonstrates the potential of continual learning on new data, which could be useful in real-world applications whereby new data is constantly available.

Key facts. Cited by 20 papers in the map (data through 14 Oct 2026). Builds on 24 of its 48 references that are in the map. First posted on arXiv 11 Jul 2021.

Builds on

24 of 48 references.

References · 24

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12 more
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  8. 2020The Effect of Spectrogram Reconstruction on Automatic Music Transcription: An Alternative Approach to Improve Transcription Accuracycited by 10
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Cited by year (2026 to 14 Oct)

Citing papers per year: 2021: 1; 2022: 4; 2023: 6; 2024: 7; 2025: 1; 2026: 1.

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  1. 2021MT3: Multi-Task Multitrack Music Transcriptioncited by 71
  2. 2023Video2Music: Suitable Music Generation from Videos using an Affective Multimodal Transformer modelcited by 37
  3. 2022Unaligned Supervision For Automatic Music Transcription in The Wildcited by 25
  4. 2022DiffRoll: Diffusion-based Generative Music Transcription with Unsupervised Pretraining Capabilitycited by 13
  5. 2023Multitrack Music Transcription with a Time-Frequency Perceivercited by 13
  6. 2024YourMT3+: Multi-instrument Music Transcription with Enhanced Transformer Architectures and Cross-dataset Stem Augmentationcited by 13
  7. 2022Jointist: Joint Learning for Multi-instrument Transcription and Its Applicationscited by 6
  8. 2024Music Foundation Model as Generic Booster for Music Downstream Taskscited by 6
  9. 2025Unified Cross-modal Translation of Score Images, Symbolic Music, and Performance Audiocited by 6
  10. 2024Toward Fully Self-Supervised Multi-Pitch Estimationcited by 5
  11. 2024Towards Efficient and Real-Time Piano Transcription Using Neural Autoregressive Modelscited by 4
  12. 2023Jointist: Simultaneous Improvement of Multi-instrument Transcription and Music Source Separation via Joint Trainingcited by 3
8 more
  1. 2023Timbre-Trap: A Low-Resource Framework for Instrument-Agnostic Music Transcriptioncited by 3
  2. 2023Annotation-free Automatic Music Transcription with Scalable Synthetic Data and Adversarial Domain Confusioncited by 2
  3. 2024MR-MT3: Memory Retaining Multi-Track Music Transcription to Mitigate Instrument Leakagecited by 2
  4. 2024Machine Learning Techniques in Automatic Music Transcription: A Systematic Surveycited by 2
  5. 2022Deep-Learning Architectures for Multi-Pitch Estimation: Towards Reliable Evaluationcited by 1
  6. 2024Text2Data: Low-Resource Data Generation with Textual Controlcited by 1
  7. 2026Music Transcription with (Almost) No Supervisioncited by 1
  8. 2023Transfer of knowledge among instruments in automatic music transcriptioncited by 0