Musical Composition Style Transfer via Disentangled Timbre Representations
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Abstract (arXiv)
Music creation involves not only composing the different parts (e.g., melody, chords) of a musical work but also arranging/selecting the instruments to play the different parts. While the former has received increasing attention, the latter has not been much investigated. This paper presents, to the best of our knowledge, the first deep learning models for rearranging music of arbitrary genres. Specifically, we build encoders and decoders that take a piece of polyphonic musical audio as input and predict as output its musical score. We investigate disentanglement techniques such as adversarial training to separate latent factors that are related to the musical content (pitch) of different parts of the piece, and that are related to the instrumentation (timbre) of the parts per short-time segment. By disentangling pitch and timbre, our models have an idea of how each piece was composed and arranged. Moreover, the models can realize "composition style transfer" by rearranging a musical piece without much affecting its pitch content. We validate the effectiveness of the models by experiments on instrument activity detection and composition style transfer. To facilitate follow-up research, we open source our code at https://github.com/biboamy/instrument-disentangle.
Key facts. Cited by 11 papers in the map (data through 7 Oct 2026). First posted on arXiv 30 May 2019.
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Citing papers per year: 2021: 5; 2022: 1; 2023: 1; 2024: 3; 2025: 1.
11 papers.
- 2021ReconVAT: A Semi-Supervised Automatic Music Transcription Framework for Low-Resource Real-World Datacited by 20
- 2021DadaGP: A Dataset of Tokenized GuitarPro Songs for Sequence Modelscited by 20
- 2023Loop Copilot: Conducting AI Ensembles for Music Generation and Iterative Editingcited by 15
- 2021Is Disentanglement enough? On Latent Representations for Controllable Music Generationcited by 7
- 2021Audio-to-symbolic Arrangement via Cross-modal Music Representation Learningcited by 6
- 2024DisMix: Disentangling Mixtures of Musical Instruments for Source-level Pitch and Timbre Manipulationcited by 3
- 2021Evaluation of Latent Space Disentanglement in the Presence of Interdependent Attributescited by 1
- 2024Revisiting Your Memory: Reconstruction of Affect-Contextualized Memory via EEG-guided Audiovisual Generationcited by 1
- 2022Can Machines Generate Personalized Music? A Hybrid Favorite-aware Method for User Preference Music Transfercited by 0
- 2024Music Style Transfer With Diffusion Modelcited by 0
- 2025Device-Guided Music Transfercited by 0
- 2025Device-Guided Music Transfer21 Nov 2025
- 2024Revisiting Your Memory: Reconstruction of Affect-Contextualized Memory via EEG-guided Audiovisual Generation24 Nov 2024
- 2024DisMix: Disentangling Mixtures of Musical Instruments for Source-level Pitch and Timbre Manipulation20 Aug 2024
- 2024Music Style Transfer With Diffusion Model23 Apr 2024
- 2023Loop Copilot: Conducting AI Ensembles for Music Generation and Iterative Editing19 Oct 2023
- 2022Can Machines Generate Personalized Music? A Hybrid Favorite-aware Method for User Preference Music Transfer21 Jan 2022
- 2021Audio-to-symbolic Arrangement via Cross-modal Music Representation Learning30 Dec 2021
- 2021Evaluation of Latent Space Disentanglement in the Presence of Interdependent Attributes11 Oct 2021
- 2021Is Disentanglement enough? On Latent Representations for Controllable Music Generation1 Aug 2021
- 2021DadaGP: A Dataset of Tokenized GuitarPro Songs for Sequence Models30 Jul 2021
- 2021ReconVAT: A Semi-Supervised Automatic Music Transcription Framework for Low-Resource Real-World Data11 Jul 2021