Comparing Representations for Audio Synthesis Using Generative Adversarial Networks
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Abstract (arXiv)
In this paper, we compare different audio signal representations, including the raw audio waveform and a variety of time-frequency representations, for the task of audio synthesis with Generative Adversarial Networks (GANs). We conduct the experiments on a subset of the NSynth dataset. The architecture follows the benchmark Progressive Growing Wasserstein GAN. We perform experiments both in a fully non-conditional manner as well as conditioning the network on the pitch information. We quantitatively evaluate the generated material utilizing standard metrics for assessing generative models, and compare training and sampling times. We show that complex-valued as well as the magnitude and Instantaneous Frequency of the Short-Time Fourier Transform achieve the best results, and yield fast generation and inversion times. The code for feature extraction, training and evaluating the model is available online.
Key facts. Cited by 13 papers in the map (data through 7 Oct 2026). First posted on arXiv 16 Jun 2020.
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Citing papers per year: 2021: 3; 2022: 3; 2023: 1; 2024: 1; 2025: 5.
13 papers.
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- 2024Music2Latent: Consistency Autoencoders for Latent Audio Compressioncited by 33
- 2022Musika! Fast Infinite Waveform Music Generationcited by 24
- 2025KAD: No More FAD! An Effective and Efficient Evaluation Metric for Audio Generationcited by 24
- 2022Evaluating generative audio systems and their metricscited by 16
- 2025Survey on the Evaluation of Generative Models in Musiccited by 10
- 2025CoDiCodec: Unifying Continuous and Discrete Compressed Representations of Audiocited by 7
- 2023Towards Controllable Audio Texture Morphingcited by 4
- 2025Music2Latent2: Audio Compression with Summary Embeddings and Autoregressive Decodingcited by 4
- 2021VQCPC-GAN: Variable-Length Adversarial Audio Synthesis Using Vector-Quantized Contrastive Predictive Codingcited by 3
- 2021Deep Neural Networks and End-to-End Learning for Audio Compressioncited by 1
- 2022Data-Driven Modeling of Noise Time Series with Convolutional Generative Adversarial Networkscited by 1
- 2021SpecSinGAN: Sound Effect Variation Synthesis Using Single-Image GANscited by 0
1 more
- 2025MARS: Sound Generation via Multi-Channel Autoregression on Spectrograms30 Sep 2025
- 2025CoDiCodec: Unifying Continuous and Discrete Compressed Representations of Audio11 Sep 2025
- 2025Survey on the Evaluation of Generative Models in Music5 Jun 2025
- 2025KAD: No More FAD! An Effective and Efficient Evaluation Metric for Audio Generation21 Feb 2025
- 2025Music2Latent2: Audio Compression with Summary Embeddings and Autoregressive Decoding29 Jan 2025
- 2024Music2Latent: Consistency Autoencoders for Latent Audio Compression12 Aug 2024
- 2023Towards Controllable Audio Texture Morphing23 Apr 2023
- 2022Evaluating generative audio systems and their metrics31 Aug 2022
- 2022Musika! Fast Infinite Waveform Music Generation18 Aug 2022
- 2022Data-Driven Modeling of Noise Time Series with Convolutional Generative Adversarial Networks3 Jul 2022
- 2021SpecSinGAN: Sound Effect Variation Synthesis Using Single-Image GANs14 Oct 2021
- 2021Deep Neural Networks and End-to-End Learning for Audio Compression25 May 2021
- 2022Musika! Fast Infinite Waveform Music Generationcited by 24
- 2025KAD: No More FAD! An Effective and Efficient Evaluation Metric for Audio Generationcited by 24
- 2022Evaluating generative audio systems and their metricscited by 16
- 2025Survey on the Evaluation of Generative Models in Musiccited by 10
- 2025CoDiCodec: Unifying Continuous and Discrete Compressed Representations of Audiocited by 7
- 2023Towards Controllable Audio Texture Morphingcited by 4
- 2021VQCPC-GAN: Variable-Length Adversarial Audio Synthesis Using Vector-Quantized Contrastive Predictive Codingcited by 3
- 2021Deep Neural Networks and End-to-End Learning for Audio Compressioncited by 1
- 2022Data-Driven Modeling of Noise Time Series with Convolutional Generative Adversarial Networkscited by 1
- 2021SpecSinGAN: Sound Effect Variation Synthesis Using Single-Image GANscited by 0
- 2025MARS: Sound Generation via Multi-Channel Autoregression on Spectrogramscited by 0
- 2025MARS: Sound Generation via Multi-Channel Autoregression on Spectrograms30 Sep 2025
- 2025CoDiCodec: Unifying Continuous and Discrete Compressed Representations of Audio11 Sep 2025
- 2025Survey on the Evaluation of Generative Models in Music5 Jun 2025
- 2025KAD: No More FAD! An Effective and Efficient Evaluation Metric for Audio Generation21 Feb 2025
- 2023Towards Controllable Audio Texture Morphing23 Apr 2023
- 2022Evaluating generative audio systems and their metrics31 Aug 2022
- 2022Musika! Fast Infinite Waveform Music Generation18 Aug 2022
- 2022Data-Driven Modeling of Noise Time Series with Convolutional Generative Adversarial Networks3 Jul 2022
- 2021SpecSinGAN: Sound Effect Variation Synthesis Using Single-Image GANs14 Oct 2021
- 2021Deep Neural Networks and End-to-End Learning for Audio Compression25 May 2021
- 2021VQCPC-GAN: Variable-Length Adversarial Audio Synthesis Using Vector-Quantized Contrastive Predictive Coding4 May 2021