Dual Learning Music Composition and Dance Choreography
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Abstract (arXiv)
Music and dance have always co-existed as pillars of human activities, contributing immensely to the cultural, social, and entertainment functions in virtually all societies. Notwithstanding the gradual systematization of music and dance into two independent disciplines, their intimate connection is undeniable and one art-form often appears incomplete without the other. Recent research works have studied generative models for dance sequences conditioned on music. The dual task of composing music for given dances, however, has been largely overlooked. In this paper, we propose a novel extension, where we jointly model both tasks in a dual learning approach. To leverage the duality of the two modalities, we introduce an optimal transport objective to align feature embeddings, as well as a cycle consistency loss to foster overall consistency. Experimental results demonstrate that our dual learning framework improves individual task performance, delivering generated music compositions and dance choreographs that are realistic and faithful to the conditioned inputs.
Key facts. Cited by 3 papers in the map (data through 7 Oct 2026). Builds on 18 of its 40 references that are in the map. First posted on arXiv 28 Jan 2022.
Builds on
18 of 40 references.
References · 18
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6 more
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Built on by
Citing papers per year: 2024: 3.
3 papers.
- 2024DanceCamAnimator: Keyframe-Based Controllable 3D Dance Camera Synthesis23 Sep 2024
- 2024Do As I Do: Pose Guided Human Motion Copy24 Jun 2024
- 2024DanceCamera3D: 3D Camera Movement Synthesis with Music and Dance20 Mar 2024