Beyond Fixed Luminance: Towards Panchromatic and Orthochromatic Image Colorization
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Abstract (arXiv)
Most image colorization systems operate in Lab space by predicting chroma (ab) while preserving an input-derived luminance channel (L). While effective on standard benchmarks, this fixed-luminance design restricts brightness changes and becomes unreliable when grayscale formation deviates from natural-image luminance, as in historical orthochromatic photography. We propose a luminance-agnostic colorization framework that formulates colorization as full-RGB image editing using a foundation image-editing model. To bridge modern panchromatic and historical orthochromatic conditions, we introduce a mixed grayscale objective that trains the model under both standard luminance grayscale and a red-insensitive grayscale formation. Experiments on COCO, ImageNet, and a multi-instance benchmark show that our method is competitive on standard grayscale inputs and substantially more robust under orthochromatic inputs, with qualitative comparisons and a human study indicating fewer visible color artifacts.
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References · 21
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9 more
- 2022DDColor: Towards Photo-Realistic Image Colorization via Dual Decoderscited by 36
- 2022BigColor: Colorization using a Generative Color Prior for Natural Imagescited by 34
- 2024Control Color: Multimodal Diffusion-based Interactive Image Colorizationcited by 33
- 2020Time-Travel Rephotographycited by 26
- 2023Diffusing Colors: Image Colorization with Text Guided Diffusioncited by 25
- 2023Improved Diffusion-based Image Colorization via Piggybacked Modelscited by 15
- 2021Focusing on Persons: Colorizing Old Images Learning from Modern Historical Moviescited by 6
- 2024MultiColor: Image Colorization by Learning from Multiple Color Spacescited by 6
- 2019ColorNet -- Estimating Colorfulness in Natural Imagescited by 3
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