mlsanityData to 14 Oct 2026

Back to Ear: Perceptually Driven High Fidelity Music Reconstruction

arXiv 2509.14912 ↗First posted 18 Sep 2025cs.SD cs.AIcited by 4

On the map: Diffusion models → Audio, speech and music

Abstract (arXiv)

Variational Autoencoders (VAEs) are essential for large-scale audio tasks like diffusion-based generation. However, existing open-source models often neglect auditory perceptual aspects during training, leading to weaknesses in phase accuracy and stereophonic spatial representation. To address these challenges, we propose εar-VAE, an open-source music signal reconstruction model that rethinks and optimizes the VAE training paradigm. Our contributions are threefold: (i) A K-weighting perceptual filter applied prior to loss calculation to align the objective with auditory perception. (ii) Two novel phase losses: a Correlation Loss for stereo coherence, and a Phase Loss using its derivatives--Instantaneous Frequency and Group Delay--for precision. (iii) A new spectral supervision paradigm where magnitude is supervised by all four Mid/Side/Left/Right components, while phase is supervised only by the LR components. Experiments show εar-VAE at 44.1kHz substantially outperforms leading open-source models across diverse metrics, showing particular strength in reconstructing high-frequency harmonics and the spatial characteristics.

Key facts. Cited by 4 papers in the map (data through 14 Oct 2026). Placed in Audio, speech and music, one of 14 directions in Diffusion models. Builds on 13 of its 17 references that are in the map. First posted on arXiv 18 Sep 2025.

Builds on

13 of 17 references.

References · 13

  1. 2017Neural Discrete Representation Learningcited by 4,712
  2. 2021RoFormer: Enhanced Transformer with Rotary Position Embeddingcited by 4,703
  3. 2020HiFi-GAN: Generative Adversarial Networks for Efficient and High Fidelity Speech Synthesiscited by 1,154
  4. 2022High Fidelity Neural Audio Compressioncited by 687
  5. 2024Moshi: a speech-text foundation model for real-time dialoguecited by 568
  6. 2023High-Fidelity Audio Compression with Improved RVQGANcited by 431
  7. 2019MelGAN: Generative Adversarial Networks for Conditional Waveform Synthesiscited by 354
  8. 2020FSD50K: An Open Dataset of Human-Labeled Sound Eventscited by 342
  9. 2022BigVGAN: A Universal Neural Vocoder with Large-Scale Trainingcited by 251
  10. 2016FMA: A Dataset For Music Analysiscited by 207
  11. 2018A Hierarchical Latent Vector Model for Learning Long-Term Structure in Musiccited by 131
  12. 2024MuChin: A Chinese Colloquial Description Benchmark for Evaluating Language Models in the Field of Musiccited by 16
1 more
  1. 2023DISCO-10M: A Large-Scale Music Datasetcited by 13

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Cited by year (2026 to 14 Oct)

Citing papers per year: 2026: 4.

4 papers.

Similar, not cited

Close in wording, no citation either way

  1. 2025Perceptually Aligning Representations of Music via Noise-Augmented Autoencoders
  2. 2021Audio Spectral Enhancement: Leveraging Autoencoders for Low Latency Reconstruction of Long, Lossy Audio Sequences
  3. 2026How Much Audio Is Left In An Embedding? An Inversion Audit Of Audio Encoders
  4. 2026Feature Encoding in VAE-based Audio Decoders: Effects of Input, Depth and Distribution
  5. 2024Music2Latent: Consistency Autoencoders for Latent Audio Compression
  6. 2021Learning source-aware representations of music in a discrete latent space
  7. 2026On the Geometry of Music Bandwidth Extension in Latent Spaces of Audio Codecs
  8. 2021Self-Supervised VQ-VAE for One-Shot Music Style Transfer