STONE: Self-supervised Tonality Estimator
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Abstract (arXiv)
Although deep neural networks can estimate the key of a musical piece, their supervision incurs a massive annotation effort. Against this shortcoming, we present STONE, the first self-supervised tonality estimator. The architecture behind STONE, named ChromaNet, is a convnet with octave equivalence which outputs a key signature profile (KSP) of 12 structured logits. First, we train ChromaNet to regress artificial pitch transpositions between any two unlabeled musical excerpts from the same audio track, as measured as cross-power spectral density (CPSD) within the circle of fifths (CoF). We observe that this self-supervised pretext task leads KSP to correlate with tonal key signature. Based on this observation, we extend STONE to output a structured KSP of 24 logits, and introduce supervision so as to disambiguate major versus minor keys sharing the same key signature. Applying different amounts of supervision yields semi-supervised and fully supervised tonality estimators: i.e., Semi-TONEs and Sup-TONEs. We evaluate these estimators on FMAK, a new dataset of 5489 real-world musical recordings with expert annotation of 24 major and minor keys. We find that Semi-TONE matches the classification accuracy of Sup-TONE with reduced supervision and outperforms it with equal supervision.
Key facts. Cited by 8 papers in the map (data through 14 Oct 2026). First posted on arXiv 10 Jul 2024.
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Citing papers per year: 2025: 3; 2026: 5.
8 papers.
- 2025PESTO: Real-Time Pitch Estimation with Self-supervised Transposition-equivariant Objectivecited by 3
- 2025Emergent musical properties of a transformer under contrastive self-supervised learningcited by 2
- 2025Translation-Equivariant Self-Supervised Learning for Pitch Estimation with Optimal Transportcited by 0
- 2026MIDI-RAE-JEPA: Hierarchical Representation Learning and Generation for Symbolic Musiccited by 0
- 2026Equivariant Music Transformercited by 0
- 2026What Makes a Good Layer? Assessing the Layer-Wise Intrinsic Properties of Music Foundation Modelscited by 0
- 2026CoJEPA: Combining Contrastive Learning and JEPA for Global-Local Music Representationscited by 0
- 2026From Isolated Feature to Orbits: Discovering Music Concepts via Multi-SAE Alignmentcited by 0
- 2026From Isolated Feature to Orbits: Discovering Music Concepts via Multi-SAE Alignment1 Oct 2026
- 2026CoJEPA: Combining Contrastive Learning and JEPA for Global-Local Music Representations31 Aug 2026
- 2026What Makes a Good Layer? Assessing the Layer-Wise Intrinsic Properties of Music Foundation Models14 Aug 2026
- 2026Equivariant Music Transformer4 Aug 2026
- 2026MIDI-RAE-JEPA: Hierarchical Representation Learning and Generation for Symbolic Music16 Jul 2026
- 2025Translation-Equivariant Self-Supervised Learning for Pitch Estimation with Optimal Transport2 Aug 2025
- 2025PESTO: Real-Time Pitch Estimation with Self-supervised Transposition-equivariant Objective2 Aug 2025
- 2025Emergent musical properties of a transformer under contrastive self-supervised learning30 Jun 2025