mlsanityData to 14 Oct 2026

SongDriver: Real-time Music Accompaniment Generation without Logical Latency nor Exposure Bias

arXiv 2209.06054 ↗First posted 13 Sep 2022cs.SD cs.LG cs.MMcited by 13

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Abstract (arXiv)

Real-time music accompaniment generation has a wide range of applications in the music industry, such as music education and live performances. However, automatic real-time music accompaniment generation is still understudied and often faces a trade-off between logical latency and exposure bias. In this paper, we propose SongDriver, a real-time music accompaniment generation system without logical latency nor exposure bias. Specifically, SongDriver divides one accompaniment generation task into two phases: 1) The arrangement phase, where a Transformer model first arranges chords for input melodies in real-time, and caches the chords for the next phase instead of playing them out. 2) The prediction phase, where a CRF model generates playable multi-track accompaniments for the coming melodies based on previously cached chords. With this two-phase strategy, SongDriver directly generates the accompaniment for the upcoming melody, achieving zero logical latency. Furthermore, when predicting chords for a timestep, SongDriver refers to the cached chords from the first phase rather than its previous predictions, which avoids the exposure bias problem. Since the input length is often constrained under real-time conditions, another potential problem is the loss of long-term sequential information. To make up for this disadvantage, we extract four musical features from a long-term music piece before the current time step as global information. In the experiment, we train SongDriver on some open-source datasets and an original `aiSong Dataset built from Chinese-style modern pop music scores. The results show that SongDriver outperforms existing SOTA (state-of-the-art) models on both objective and subjective metrics, meanwhile significantly reducing the physical latency.

Key facts. Cited by 13 papers in the map (data through 14 Oct 2026). Builds on 11 of its 25 references that are in the map. First posted on arXiv 13 Sep 2022.

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11 of 25 references.

References · 11

  1. 2017Attention Is All You Needcited by 60,361
  2. 2019Transformer-XL: Attentive Language Models Beyond a Fixed-Length Contextcited by 1,850
  3. 2017MuseGAN: Multi-track Sequential Generative Adversarial Networks for Symbolic Music Generation and Accompanimentcited by 151
  4. 2021Compound Word Transformer: Learning to Compose Full-Song Music over Dynamic Directed Hypergraphscited by 110
  5. 2017MidiNet: A Convolutional Generative Adversarial Network for Symbolic-domain Music Generationcited by 72
  6. 2020PopMAG: Pop Music Accompaniment Generationcited by 68
  7. 2019LakhNES: Improving multi-instrumental music generation with cross-domain pre-trainingcited by 54
  8. 2021MuseMorphose: Full-Song and Fine-Grained Piano Music Style Transfer with One Transformer VAEcited by 40
  9. 2017Generative Adversarial Network for Abstractive Text Summarizationcited by 23
  10. 2020Automatic Melody Harmonization with Triad Chords: A Comparative Studycited by 19
  11. 2020RL-Duet: Online Music Accompaniment Generation Using Deep Reinforcement Learningcited by 19

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Cited by year (2026 to 14 Oct)

Citing papers per year: 2023: 1; 2024: 4; 2025: 5; 2026: 3.

13 papers.

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