mlsanityData to 7 Oct 2026

Music Demixing Challenge 2021

arXiv 2108.13559 ↗First posted 31 Aug 2021eess.AS cs.SDcited by 38

Not on the map. Why?

Abstract (arXiv)

Music source separation has been intensively studied in the last decade and tremendous progress with the advent of deep learning could be observed. Evaluation campaigns such as MIREX or SiSEC connected state-of-the-art models and corresponding papers, which can help researchers integrate the best practices into their models. In recent years, the widely used MUSDB18 dataset played an important role in measuring the performance of music source separation. While the dataset made a considerable contribution to the advancement of the field, it is also subject to several biases resulting from a focus on Western pop music and a limited number of mixing engineers being involved. To address these issues, we designed the Music Demixing (MDX) Challenge on a crowd-based machine learning competition platform where the task is to separate stereo songs into four instrument stems (Vocals, Drums, Bass, Other). The main differences compared with the past challenges are 1) the competition is designed to more easily allow machine learning practitioners from other disciplines to participate, 2) evaluation is done on a hidden test set created by music professionals dedicated exclusively to the challenge to assure the transparency of the challenge, i.e., the test set is not accessible from anyone except the challenge organizers, and 3) the dataset provides a wider range of music genres and involved a greater number of mixing engineers. In this paper, we provide the details of the datasets, baselines, evaluation metrics, evaluation results, and technical challenges for future competitions.

Key facts. Cited by 38 papers in the map (data through 7 Oct 2026). First posted on arXiv 31 Aug 2021.

Builds on

No reference list yet.

Built on by

Cited by year (2026 to 7 Oct)

Citing papers per year: 2021: 2; 2022: 9; 2023: 11; 2024: 7; 2025: 5; 2026: 4.

38 papers.

Sort:

By area:

  1. 2023MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Trainingcited by 175
  2. 2021Hybrid Spectrogram and Waveform Source Separationcited by 90
  3. 2022Music Source Separation with Band-split RNNcited by 69
  4. 2023MARBLE: Music Audio Representation Benchmark for Universal Evaluationcited by 38
  5. 2022CLIPSep: Learning Text-queried Sound Separation with Noisy Unlabeled Videoscited by 23
  6. 2023SingFake: Singing Voice Deepfake Detectioncited by 21
  7. 2022Music Mixing Style Transfer: A Contrastive Learning Approach to Disentangle Audio Effectscited by 18
  8. 2024Arrange, Inpaint, and Refine: Steerable Long-term Music Audio Generation and Editing via Content-based Controlscited by 17
  9. 2022Automatic music mixing with deep learning and out-of-domain datacited by 11
  10. 2023Subnetwork-to-go: Elastic Neural Network with Dynamic Training and Customizable Inferencecited by 9
  11. 2022A Proposal for Foley Sound Synthesis Challengecited by 8
  12. 2022Music Separation Enhancement with Generative Modelingcited by 8
26 more
  1. 2024A Stem-Agnostic Single-Decoder System for Music Source Separation Beyond Four Stemscited by 7
  2. 2023Benchmarks and leaderboards for sound demixing taskscited by 6
  3. 2024Music Foundation Model as Generic Booster for Music Downstream Taskscited by 6
  4. 2021Transfer Learning with Jukebox for Music Source Separationcited by 4
  5. 2022Distortion Audio Effects: Learning How to Recover the Clean Signalcited by 4
  6. 2022JaCappella Corpus: A Japanese a Cappella Vocal Ensemble Corpuscited by 4
  7. 2023Sound Demixing Challenge 2023 Music Demixing Track Technical Report: TFC-TDF-UNet v3cited by 4
  8. 2023Toward Deep Drum Source Separationcited by 4
  9. 2024SynthSOD: Developing an Heterogeneous Dataset for Orchestra Music Source Separationcited by 4
  10. 2022MedleyVox: An Evaluation Dataset for Multiple Singing Voices Separationcited by 3
  11. 2023The First Cadenza Signal Processing Challenge: Improving Music for Those With a Hearing Losscited by 3
  12. 2025The Inverse Drum Machine: Source Separation Through Joint Transcription and Analysis-by-Synthesiscited by 3
  13. 2025Event2Audio: Event-Based Optical Vibration Sensingcited by 3
  14. 2024A Two-Stage Band-Split Mamba-2 Network For Music Separationcited by 2
  15. 2023Self-refining of Pseudo Labels for Music Source Separation with Noisy Labeled Datacited by 1
  16. 2024The first Cadenza challenges: using machine learning competitions to improve music for listeners with a hearing losscited by 1
  17. 2025The Spheres Dataset: Multitrack Orchestral Recordings for Music Source Separation and Information Retrievalcited by 1
  18. 2026Summary of The Inaugural Music Source Restoration Challengecited by 1
  19. 2026SAM Audio Judge: A Unified Multimodal Framework for Perceptual Evaluation of Audio Separationcited by 1
  20. 2023Pac-HuBERT: Self-Supervised Music Source Separation via Primitive Auditory Clustering and Hidden-Unit BERTcited by 0
  21. 2023Sampling-Frequency-Independent Universal Sound Separationcited by 0
  22. 2024Improving Real-Time Music Accompaniment Separation with MMDenseNetcited by 0
  23. 2025Mamba2 Meets Silence: Robust Vocal Source Separation for Sparse Regionscited by 0
  24. 2025Twenty-Five Years of MIR Research: Achievements, Practices, Evaluations, and Future Challengescited by 0
  25. 2026The Costs of Reproducibility in Music Separation Research: a Replication of Band-Split RNNcited by 0
  26. 2026Music-Source-Separation-Training (MSST): A Unified Framework for Training and Evaluating Music Demixing Modelscited by 0