Music Demixing Challenge 2021
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Abstract (arXiv)
Music source separation has been intensively studied in the last decade and tremendous progress with the advent of deep learning could be observed. Evaluation campaigns such as MIREX or SiSEC connected state-of-the-art models and corresponding papers, which can help researchers integrate the best practices into their models. In recent years, the widely used MUSDB18 dataset played an important role in measuring the performance of music source separation. While the dataset made a considerable contribution to the advancement of the field, it is also subject to several biases resulting from a focus on Western pop music and a limited number of mixing engineers being involved. To address these issues, we designed the Music Demixing (MDX) Challenge on a crowd-based machine learning competition platform where the task is to separate stereo songs into four instrument stems (Vocals, Drums, Bass, Other). The main differences compared with the past challenges are 1) the competition is designed to more easily allow machine learning practitioners from other disciplines to participate, 2) evaluation is done on a hidden test set created by music professionals dedicated exclusively to the challenge to assure the transparency of the challenge, i.e., the test set is not accessible from anyone except the challenge organizers, and 3) the dataset provides a wider range of music genres and involved a greater number of mixing engineers. In this paper, we provide the details of the datasets, baselines, evaluation metrics, evaluation results, and technical challenges for future competitions.
Key facts. Cited by 38 papers in the map (data through 7 Oct 2026). First posted on arXiv 31 Aug 2021.
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Citing papers per year: 2021: 2; 2022: 9; 2023: 11; 2024: 7; 2025: 5; 2026: 4.
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- 2023MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Trainingcited by 175
- 2021Hybrid Spectrogram and Waveform Source Separationcited by 90
- 2022Music Source Separation with Band-split RNNcited by 69
- 2023MARBLE: Music Audio Representation Benchmark for Universal Evaluationcited by 38
- 2022CLIPSep: Learning Text-queried Sound Separation with Noisy Unlabeled Videoscited by 23
- 2023SingFake: Singing Voice Deepfake Detectioncited by 21
- 2022Music Mixing Style Transfer: A Contrastive Learning Approach to Disentangle Audio Effectscited by 18
- 2024Arrange, Inpaint, and Refine: Steerable Long-term Music Audio Generation and Editing via Content-based Controlscited by 17
- 2022Automatic music mixing with deep learning and out-of-domain datacited by 11
- 2023Subnetwork-to-go: Elastic Neural Network with Dynamic Training and Customizable Inferencecited by 9
- 2022A Proposal for Foley Sound Synthesis Challengecited by 8
- 2022Music Separation Enhancement with Generative Modelingcited by 8
26 more
- 2024A Stem-Agnostic Single-Decoder System for Music Source Separation Beyond Four Stemscited by 7
- 2023Benchmarks and leaderboards for sound demixing taskscited by 6
- 2024Music Foundation Model as Generic Booster for Music Downstream Taskscited by 6
- 2021Transfer Learning with Jukebox for Music Source Separationcited by 4
- 2022Distortion Audio Effects: Learning How to Recover the Clean Signalcited by 4
- 2022JaCappella Corpus: A Japanese a Cappella Vocal Ensemble Corpuscited by 4
- 2023Sound Demixing Challenge 2023 Music Demixing Track Technical Report: TFC-TDF-UNet v3cited by 4
- 2023Toward Deep Drum Source Separationcited by 4
- 2024SynthSOD: Developing an Heterogeneous Dataset for Orchestra Music Source Separationcited by 4
- 2022MedleyVox: An Evaluation Dataset for Multiple Singing Voices Separationcited by 3
- 2023The First Cadenza Signal Processing Challenge: Improving Music for Those With a Hearing Losscited by 3
- 2025The Inverse Drum Machine: Source Separation Through Joint Transcription and Analysis-by-Synthesiscited by 3
- 2025Event2Audio: Event-Based Optical Vibration Sensingcited by 3
- 2024A Two-Stage Band-Split Mamba-2 Network For Music Separationcited by 2
- 2023Self-refining of Pseudo Labels for Music Source Separation with Noisy Labeled Datacited by 1
- 2024The first Cadenza challenges: using machine learning competitions to improve music for listeners with a hearing losscited by 1
- 2025The Spheres Dataset: Multitrack Orchestral Recordings for Music Source Separation and Information Retrievalcited by 1
- 2026Summary of The Inaugural Music Source Restoration Challengecited by 1
- 2026SAM Audio Judge: A Unified Multimodal Framework for Perceptual Evaluation of Audio Separationcited by 1
- 2023Pac-HuBERT: Self-Supervised Music Source Separation via Primitive Auditory Clustering and Hidden-Unit BERTcited by 0
- 2023Sampling-Frequency-Independent Universal Sound Separationcited by 0
- 2024Improving Real-Time Music Accompaniment Separation with MMDenseNetcited by 0
- 2025Mamba2 Meets Silence: Robust Vocal Source Separation for Sparse Regionscited by 0
- 2025Twenty-Five Years of MIR Research: Achievements, Practices, Evaluations, and Future Challengescited by 0
- 2026The Costs of Reproducibility in Music Separation Research: a Replication of Band-Split RNNcited by 0
- 2026Music-Source-Separation-Training (MSST): A Unified Framework for Training and Evaluating Music Demixing Modelscited by 0
- 2026Music-Source-Separation-Training (MSST): A Unified Framework for Training and Evaluating Music Demixing Models25 Jul 2026
- 2026The Costs of Reproducibility in Music Separation Research: a Replication of Band-Split RNN10 Mar 2026
- 2026SAM Audio Judge: A Unified Multimodal Framework for Perceptual Evaluation of Audio Separation27 Jan 2026
- 2026Summary of The Inaugural Music Source Restoration Challenge7 Jan 2026
- 2025The Spheres Dataset: Multitrack Orchestral Recordings for Music Source Separation and Information Retrieval26 Nov 2025
- 2025Twenty-Five Years of MIR Research: Achievements, Practices, Evaluations, and Future Challenges10 Nov 2025
- 2025Mamba2 Meets Silence: Robust Vocal Source Separation for Sparse Regions20 Aug 2025
- 2025Event2Audio: Event-Based Optical Vibration Sensing4 Jul 2025
- 2025The Inverse Drum Machine: Source Separation Through Joint Transcription and Analysis-by-Synthesis6 May 2025
- 2024Music Foundation Model as Generic Booster for Music Downstream Tasks2 Nov 2024
- 2024SynthSOD: Developing an Heterogeneous Dataset for Orchestra Music Source Separation17 Sep 2024
- 2024A Two-Stage Band-Split Mamba-2 Network For Music Separation10 Sep 2024
26 more
- 2024The first Cadenza challenges: using machine learning competitions to improve music for listeners with a hearing loss8 Sep 2024
- 2024Improving Real-Time Music Accompaniment Separation with MMDenseNet30 Jun 2024
- 2024A Stem-Agnostic Single-Decoder System for Music Source Separation Beyond Four Stems26 Jun 2024
- 2024Arrange, Inpaint, and Refine: Steerable Long-term Music Audio Generation and Editing via Content-based Controls14 Feb 2024
- 2023Toward Deep Drum Source Separation15 Dec 2023
- 2023Subnetwork-to-go: Elastic Neural Network with Dynamic Training and Customizable Inference6 Dec 2023
- 2023The First Cadenza Signal Processing Challenge: Improving Music for Those With a Hearing Loss9 Oct 2023
- 2023Sampling-Frequency-Independent Universal Sound Separation22 Sep 2023
- 2023SingFake: Singing Voice Deepfake Detection14 Sep 2023
- 2023Self-refining of Pseudo Labels for Music Source Separation with Noisy Labeled Data24 Jul 2023
- 2023MARBLE: Music Audio Representation Benchmark for Universal Evaluation18 Jun 2023
- 2023Sound Demixing Challenge 2023 Music Demixing Track Technical Report: TFC-TDF-UNet v315 Jun 2023
- 2023MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Training31 May 2023
- 2023Benchmarks and leaderboards for sound demixing tasks12 May 2023
- 2023Pac-HuBERT: Self-Supervised Music Source Separation via Primitive Auditory Clustering and Hidden-Unit BERT4 Apr 2023
- 2022CLIPSep: Learning Text-queried Sound Separation with Noisy Unlabeled Videos14 Dec 2022
- 2022JaCappella Corpus: A Japanese a Cappella Vocal Ensemble Corpus29 Nov 2022
- 2022MedleyVox: An Evaluation Dataset for Multiple Singing Voices Separation14 Nov 2022
- 2022Music Mixing Style Transfer: A Contrastive Learning Approach to Disentangle Audio Effects4 Nov 2022
- 2022Music Source Separation with Band-split RNN30 Sep 2022
- 2022Music Separation Enhancement with Generative Modeling26 Aug 2022
- 2022Automatic music mixing with deep learning and out-of-domain data24 Aug 2022
- 2022A Proposal for Foley Sound Synthesis Challenge21 Jul 2022
- 2022Distortion Audio Effects: Learning How to Recover the Clean Signal3 Feb 2022
- 2021Transfer Learning with Jukebox for Music Source Separation28 Nov 2021
- 2021Hybrid Spectrogram and Waveform Source Separation5 Nov 2021
- 2024A Two-Stage Band-Split Mamba-2 Network For Music Separation10 Sep 2024
- 2023MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Trainingcited by 175
- 2021Hybrid Spectrogram and Waveform Source Separationcited by 90
- 2022Music Source Separation with Band-split RNNcited by 69
- 2023MARBLE: Music Audio Representation Benchmark for Universal Evaluationcited by 38
- 2022CLIPSep: Learning Text-queried Sound Separation with Noisy Unlabeled Videoscited by 23
- 2023SingFake: Singing Voice Deepfake Detectioncited by 21
- 2022Music Mixing Style Transfer: A Contrastive Learning Approach to Disentangle Audio Effectscited by 18
- 2024Arrange, Inpaint, and Refine: Steerable Long-term Music Audio Generation and Editing via Content-based Controlscited by 17
- 2022Automatic music mixing with deep learning and out-of-domain datacited by 11
- 2023Subnetwork-to-go: Elastic Neural Network with Dynamic Training and Customizable Inferencecited by 9
- 2022A Proposal for Foley Sound Synthesis Challengecited by 8
- 2022Music Separation Enhancement with Generative Modelingcited by 8
12 most cited of 37 All 37 (JSON)
- 2026Music-Source-Separation-Training (MSST): A Unified Framework for Training and Evaluating Music Demixing Models25 Jul 2026
- 2026The Costs of Reproducibility in Music Separation Research: a Replication of Band-Split RNN10 Mar 2026
- 2026SAM Audio Judge: A Unified Multimodal Framework for Perceptual Evaluation of Audio Separation27 Jan 2026
- 2026Summary of The Inaugural Music Source Restoration Challenge7 Jan 2026
- 2025The Spheres Dataset: Multitrack Orchestral Recordings for Music Source Separation and Information Retrieval26 Nov 2025
- 2025Twenty-Five Years of MIR Research: Achievements, Practices, Evaluations, and Future Challenges10 Nov 2025
- 2025Mamba2 Meets Silence: Robust Vocal Source Separation for Sparse Regions20 Aug 2025
- 2025Event2Audio: Event-Based Optical Vibration Sensing4 Jul 2025
- 2025The Inverse Drum Machine: Source Separation Through Joint Transcription and Analysis-by-Synthesis6 May 2025
- 2024Music Foundation Model as Generic Booster for Music Downstream Tasks2 Nov 2024
- 2024SynthSOD: Developing an Heterogeneous Dataset for Orchestra Music Source Separation17 Sep 2024
- 2024The first Cadenza challenges: using machine learning competitions to improve music for listeners with a hearing loss8 Sep 2024
12 newest of 37 All 37 (JSON)