Lightweight and interpretable neural modeling of an audio distortion effect using hyperconditioned differentiable biquads
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Abstract (arXiv)
In this work, we propose using differentiable cascaded biquads to model an audio distortion effect. We extend trainable infinite impulse response (IIR) filters to the hyperconditioned case, in which a transformation is learned to directly map external parameters of the distortion effect to its internal filter and gain parameters, along with activations necessary to ensure filter stability. We propose a novel, efficient training scheme of IIR filters by means of a Fourier transform. Our models have significantly fewer parameters and reduced complexity relative to more traditional black-box neural audio effect modeling methodologies using finite impulse response filters. Our smallest, best-performing model adequately models a BOSS MT-2 pedal at 44.1 kHz, using a total of 40 biquads and only 210 parameters. Its model parameters are interpretable, can be related back to the original analog audio circuit, and can even be intuitively altered by machine learning non-specialists after model training. Quantitative and qualitative results illustrate the effectiveness of the proposed method.
Key facts. Cited by 10 papers in the map (data through 14 Oct 2026). First posted on arXiv 15 Mar 2021.
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Citing papers per year: 2021: 2; 2022: 2; 2023: 2; 2024: 3; 2025: 1.
10 papers.
- 2022Modelling black-box audio effects with time-varying feature modulationcited by 11
- 2021Direct design of biquad filter cascades with deep learning by sampling random polynomialscited by 8
- 2024Differentiable All-pole Filters for Time-varying Audio Systemscited by 7
- 2022Rigid-Body Sound Synthesis with Differentiable Modal Resonatorscited by 5
- 2023Differentiable Grey-box Modelling of Phaser Effects using Frame-based Spectral Processingcited by 5
- 2025Unsupervised Estimation of Nonlinear Audio Effects: Comparing Diffusion-Based and Adversarial approachescited by 4
- 2021Automatic DJ Transitions with Differentiable Audio Effects and Generative Adversarial Networkscited by 3
- 2024Comparative Study of State-based Neural Networks for Virtual Analog Audio Effects Modelingcited by 3
- 2024Automatic Equalization for Individual Instrument Tracks Using Convolutional Neural Networkscited by 1
- 2023Style Transfer for Non-differentiable Audio Effectscited by 0
- 2025Unsupervised Estimation of Nonlinear Audio Effects: Comparing Diffusion-Based and Adversarial approaches7 Apr 2025
- 2024Automatic Equalization for Individual Instrument Tracks Using Convolutional Neural Networks23 Jul 2024
- 2024Comparative Study of State-based Neural Networks for Virtual Analog Audio Effects Modeling7 May 2024
- 2024Differentiable All-pole Filters for Time-varying Audio Systems11 Apr 2024
- 2023Style Transfer for Non-differentiable Audio Effects29 Sep 2023
- 2023Differentiable Grey-box Modelling of Phaser Effects using Frame-based Spectral Processing2 Jun 2023
- 2022Modelling black-box audio effects with time-varying feature modulation1 Nov 2022
- 2022Rigid-Body Sound Synthesis with Differentiable Modal Resonators27 Oct 2022
- 2021Automatic DJ Transitions with Differentiable Audio Effects and Generative Adversarial Networks13 Oct 2021
- 2021Direct design of biquad filter cascades with deep learning by sampling random polynomials7 Oct 2021