Learning Disentangled Representations of Timbre and Pitch for Musical Instrument Sounds Using Gaussian Mixture Variational Autoencoders
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Abstract (arXiv)
In this paper, we learn disentangled representations of timbre and pitch for musical instrument sounds. We adapt a framework based on variational autoencoders with Gaussian mixture latent distributions. Specifically, we use two separate encoders to learn distinct latent spaces for timbre and pitch, which form Gaussian mixture components representing instrument identity and pitch, respectively. For reconstruction, latent variables of timbre and pitch are sampled from corresponding mixture components, and are concatenated as the input to a decoder. We show the model efficacy by latent space visualization, and a quantitative analysis indicates the discriminability of these spaces, even with a limited number of instrument labels for training. The model allows for controllable synthesis of selected instrument sounds by sampling from the latent spaces. To evaluate this, we trained instrument and pitch classifiers using original labeled data. These classifiers achieve high accuracy when tested on our synthesized sounds, which verifies the model performance of controllable realistic timbre and pitch synthesis. Our model also enables timbre transfer between multiple instruments, with a single autoencoder architecture, which is evaluated by measuring the shift in posterior of instrument classification. Our in depth evaluation confirms the model ability to successfully disentangle timbre and pitch.
Key facts. Cited by 21 papers in the map (data through 7 Oct 2026). First posted on arXiv 19 Jun 2019.
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Citing papers per year: 2021: 7; 2022: 2; 2023: 2; 2024: 6; 2025: 2; 2026: 2.
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- 2024Foundation Models for Music: A Surveycited by 34
- 2021Self-Supervised VQ-VAE for One-Shot Music Style Transfercited by 13
- 2022GANStrument: Adversarial Instrument Sound Synthesis with Pitch-invariant Instance Conditioningcited by 9
- 2021Is Disentanglement enough? On Latent Representations for Controllable Music Generationcited by 7
- 2023Timbre transfer using image-to-image denoising diffusion implicit modelscited by 7
- 2022Learning long-term music representations via hierarchical contextual constraintscited by 5
- 2025Can3Tok: Canonical 3D Tokenization and Latent Modeling of Scene-Level 3D Gaussianscited by 5
- 2023Towards Controllable Audio Texture Morphingcited by 4
- 2024DisMix: Disentangling Mixtures of Musical Instruments for Source-level Pitch and Timbre Manipulationcited by 3
- 2024SoundMorpher: Perceptually-Uniform Sound Morphing with Diffusion Modelcited by 3
- 2024WaveTransfer: A Flexible End-to-end Multi-instrument Timbre Transfer with Diffusioncited by 2
- 2025FlowSynth: Instrument Generation Through Distributional Flow Matching and Test-Time Searchcited by 2
9 more
- 2021DeepA: A Deep Neural Analyzer For Speech And Singing Vocodingcited by 1
- 2021CAESynth: Real-Time Timbre Interpolation and Pitch Control with Conditional Autoencoderscited by 1
- 2024HyperGANStrument: Instrument Sound Synthesis and Editing with Pitch-Invariant Hypernetworkscited by 1
- 2024The Interpretation Gap in Text-to-Music Generation Modelscited by 1
- 2026Evaluating Disentangled Representations for Controllable Music Generationcited by 1
- 2021Timbre Classification of Musical Instruments with a Deep Learning Multi-Head Attention-Based Modelcited by 0
- 2021LDC-VAE: A Latent Distribution Consistency Approach to Variational AutoEncoderscited by 0
- 2021Towards Cross-Cultural Analysis using Music Information Dynamicscited by 0
- 2026On the Geometry of Music Bandwidth Extension in Latent Spaces of Audio Codecscited by 0
- 2026On the Geometry of Music Bandwidth Extension in Latent Spaces of Audio Codecs4 Aug 2026
- 2026Evaluating Disentangled Representations for Controllable Music Generation10 Feb 2026
- 2025FlowSynth: Instrument Generation Through Distributional Flow Matching and Test-Time Search24 Oct 2025
- 2025Can3Tok: Canonical 3D Tokenization and Latent Modeling of Scene-Level 3D Gaussians2 Aug 2025
- 2024SoundMorpher: Perceptually-Uniform Sound Morphing with Diffusion Model3 Oct 2024
- 2024WaveTransfer: A Flexible End-to-end Multi-instrument Timbre Transfer with Diffusion6 Sep 2024
- 2024Foundation Models for Music: A Survey26 Aug 2024
- 2024DisMix: Disentangling Mixtures of Musical Instruments for Source-level Pitch and Timbre Manipulation20 Aug 2024
- 2024The Interpretation Gap in Text-to-Music Generation Models14 Jul 2024
- 2024HyperGANStrument: Instrument Sound Synthesis and Editing with Pitch-Invariant Hypernetworks9 Jan 2024
- 2023Timbre transfer using image-to-image denoising diffusion implicit models10 Jul 2023
- 2023Towards Controllable Audio Texture Morphing23 Apr 2023
9 more
- 2022GANStrument: Adversarial Instrument Sound Synthesis with Pitch-invariant Instance Conditioning10 Nov 2022
- 2022Learning long-term music representations via hierarchical contextual constraints13 Feb 2022
- 2021Towards Cross-Cultural Analysis using Music Information Dynamics24 Nov 2021
- 2021CAESynth: Real-Time Timbre Interpolation and Pitch Control with Conditional Autoencoders9 Nov 2021
- 2021DeepA: A Deep Neural Analyzer For Speech And Singing Vocoding13 Oct 2021
- 2021LDC-VAE: A Latent Distribution Consistency Approach to Variational AutoEncoders22 Sep 2021
- 2021Is Disentanglement enough? On Latent Representations for Controllable Music Generation1 Aug 2021
- 2021Timbre Classification of Musical Instruments with a Deep Learning Multi-Head Attention-Based Model13 Jul 2021
- 2021Self-Supervised VQ-VAE for One-Shot Music Style Transfer10 Feb 2021
- 2024Foundation Models for Music: A Surveycited by 34
- 2023Timbre transfer using image-to-image denoising diffusion implicit modelscited by 7
- 2024SoundMorpher: Perceptually-Uniform Sound Morphing with Diffusion Modelcited by 3
- 2024WaveTransfer: A Flexible End-to-end Multi-instrument Timbre Transfer with Diffusioncited by 2
- 2025FlowSynth: Instrument Generation Through Distributional Flow Matching and Test-Time Searchcited by 2
- 2026On the Geometry of Music Bandwidth Extension in Latent Spaces of Audio Codecscited by 0
- 2026On the Geometry of Music Bandwidth Extension in Latent Spaces of Audio Codecs4 Aug 2026
- 2025FlowSynth: Instrument Generation Through Distributional Flow Matching and Test-Time Search24 Oct 2025
- 2024SoundMorpher: Perceptually-Uniform Sound Morphing with Diffusion Model3 Oct 2024
- 2024WaveTransfer: A Flexible End-to-end Multi-instrument Timbre Transfer with Diffusion6 Sep 2024
- 2024Foundation Models for Music: A Survey26 Aug 2024
- 2023Timbre transfer using image-to-image denoising diffusion implicit models10 Jul 2023
- 2021Self-Supervised VQ-VAE for One-Shot Music Style Transfercited by 13
- 2022GANStrument: Adversarial Instrument Sound Synthesis with Pitch-invariant Instance Conditioningcited by 9
- 2021Is Disentanglement enough? On Latent Representations for Controllable Music Generationcited by 7
- 2022Learning long-term music representations via hierarchical contextual constraintscited by 5
- 2025Can3Tok: Canonical 3D Tokenization and Latent Modeling of Scene-Level 3D Gaussianscited by 5
- 2023Towards Controllable Audio Texture Morphingcited by 4
- 2024DisMix: Disentangling Mixtures of Musical Instruments for Source-level Pitch and Timbre Manipulationcited by 3
- 2021DeepA: A Deep Neural Analyzer For Speech And Singing Vocodingcited by 1
- 2021CAESynth: Real-Time Timbre Interpolation and Pitch Control with Conditional Autoencoderscited by 1
- 2024HyperGANStrument: Instrument Sound Synthesis and Editing with Pitch-Invariant Hypernetworkscited by 1
- 2024The Interpretation Gap in Text-to-Music Generation Modelscited by 1
- 2026Evaluating Disentangled Representations for Controllable Music Generationcited by 1
12 most cited of 15 All 15 (JSON)
- 2026Evaluating Disentangled Representations for Controllable Music Generation10 Feb 2026
- 2025Can3Tok: Canonical 3D Tokenization and Latent Modeling of Scene-Level 3D Gaussians2 Aug 2025
- 2024DisMix: Disentangling Mixtures of Musical Instruments for Source-level Pitch and Timbre Manipulation20 Aug 2024
- 2024The Interpretation Gap in Text-to-Music Generation Models14 Jul 2024
- 2024HyperGANStrument: Instrument Sound Synthesis and Editing with Pitch-Invariant Hypernetworks9 Jan 2024
- 2023Towards Controllable Audio Texture Morphing23 Apr 2023
- 2022GANStrument: Adversarial Instrument Sound Synthesis with Pitch-invariant Instance Conditioning10 Nov 2022
- 2022Learning long-term music representations via hierarchical contextual constraints13 Feb 2022
- 2021Towards Cross-Cultural Analysis using Music Information Dynamics24 Nov 2021
- 2021CAESynth: Real-Time Timbre Interpolation and Pitch Control with Conditional Autoencoders9 Nov 2021
- 2021DeepA: A Deep Neural Analyzer For Speech And Singing Vocoding13 Oct 2021
- 2021LDC-VAE: A Latent Distribution Consistency Approach to Variational AutoEncoders22 Sep 2021
12 newest of 15 All 15 (JSON)