InvFlowFD: Reference-Free and Background-Set-Free Perceptual Music Quality Metric with Flow Matching Inversion
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Abstract (arXiv)
Existing reference-free methods for evaluating music perceptual quality alleviate the need for paired noisy-clean data, but they still rely on a background set, which is used to compute aggregated statistics of clean audio samples. In this work, we propose a novel approach that eliminates this requirement, achieving background-set-free and reference-free quality estimation using only a pre-trained Flow Matching backbone. We demonstrate that unconditional Flow Matching inversion via simple Euler integration is sufficient to detect various artificial distortions and accurately rank music generation models against human perceptual judgments. We introduce InvFlowFD, which performs flow inversion and compares a group of inverted samples to the prior distribution. We evaluate our method against prior work, quantitatively and with a thorough human study. Results suggest that InvFlowFD is highly correlated with human perception of sound distortions, as well as generative models' quality, while being more flexible and less restrictive than existing metrics.
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References · 15
- 2022Flow Matching for Generative Modelingcited by 5,426
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- 2023Simple and Controllable Music Generationcited by 480
- 2021MAUVE: Measuring the Gap Between Neural Text and Human Text using Divergence Frontierscited by 466
- 2023MusicLM: Generating Music From Textcited by 442
- 2018Fr'echet Audio Distance: A Metric for Evaluating Music Enhancement Algorithmscited by 221
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- 2025Meta Audiobox Aesthetics: Unified Automatic Quality Assessment for Speech, Music, and Soundcited by 129
- 2023Adapting Frechet Audio Distance for Generative Music Evaluationcited by 92
- 2024Masked Audio Generation using a Single Non-Autoregressive Transformercited by 50
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- 2025FlowSynth: Instrument Generation Through Distributional Flow Matching and Test-Time Search
- 2026Single-step Controllable Music Bandwidth Extension With Flow Matching
- 2024High Fidelity Text-Guided Music Editing via Single-Stage Flow Matching