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Generative Modeling of Bach-Style Symbolic Music: A Comparative Study of Autoregressive, Latent-Variable, and Adversarial Approaches

arXiv 2606.13626 ↗First posted 11 Jun 2026cs.SD cs.LGcited by 0

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Abstract (arXiv)

We study generative modeling of Bach-style symbolic piano music using a shared MIDI corpus and three model families: autoregressive LSTMs with attention, latent-variable models including recurrent VAEs and vector-quantized VAEs, and generative adversarial networks. We compare their ability to model polyphonic note sequences, learn useful latent representations, and generate stylistically coherent compositions. Our experiments show that the autoregressive LSTM with attention produces the most musically coherent samples, while vector quantization helps mitigate posterior collapse and yields more structured outputs than conventional recurrent VAEs. The adversarial approach captures local pitch patterns but remains difficult to train and generalizes less reliably to Bach's style. These results highlight the relative strengths and failure modes of autoregressive, latent-variable, and adversarial approaches for symbolic music generation.

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References · 8

  1. 2018A Style-Based Generator Architecture for Generative Adversarial Networkscited by 5,986
  2. 2017Neural Discrete Representation Learningcited by 4,650
  3. 2014Neural Machine Translation by Jointly Learning to Align and Translatecited by 4,530
  4. 2017Improved Training of Wasserstein GANscited by 2,223
  5. 2018A Hierarchical Latent Vector Model for Learning Long-Term Structure in Musiccited by 131
  6. 2019Conditional LSTM-GAN for Melody Generation from Lyricscited by 31
  7. 2021Self-Supervised VQ-VAE for One-Shot Music Style Transfercited by 13
  8. 2021Bach Style Music Authoring System based on Deep Learningcited by 1

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