Transcribing Rhythmic Patterns of the Guitar Track in Polyphonic Music
Not on the map. Why?
Abstract (arXiv)
Whereas chord transcription has received considerable attention during the past couple of decades, far less work has been devoted to transcribing and encoding the rhythmic patterns that occur in a song. The topic is especially relevant for instruments such as the rhythm guitar, which is typically played by strumming rhythmic patterns that repeat and vary over time. However, in many cases one cannot objectively define a single "right" rhythmic pattern for a given song section. To create a dataset with well-defined ground-truth labels, we asked expert musicians to transcribe the rhythmic patterns in 410 popular songs and record cover versions where the guitar tracks followed those transcriptions. To transcribe the strums and their corresponding rhythmic patterns, we propose a three-step framework. Firstly, we perform approximate stem separation to extract the guitar part from the polyphonic mixture. Secondly, we detect individual strums within the separated guitar audio, using a pre-trained foundation model (MERT) as a backbone. Finally, we carry out a pattern-decoding process in which the transcribed sequence of guitar strums is represented by patterns drawn from an expert-curated vocabulary. We show that it is possible to transcribe the rhythmic patterns of the guitar track in polyphonic music with quite high accuracy, producing a representation that is human-readable and includes automatically detected bar lines and time signature markers. We perform ablation studies and error analysis and propose a set of evaluation metrics to assess the accuracy and readability of the predicted rhythmic pattern sequence.
Key facts. No citing papers in the map yet (data through 7 Oct 2026). Builds on 18 of its 48 references that are in the map. First posted on arXiv 7 Oct 2025.
Builds on
18 of 48 references.
References · 18
- 2023MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Trainingcited by 175
- 2022Hybrid Transformers for Music Source Separationcited by 134
- 2023A Foundation Model for Music Informaticscited by 45
- 2023MARBLE: Music Audio Representation Benchmark for Universal Evaluationcited by 38
- 2024Foundation Models for Music: A Surveycited by 34
- 2024Music2Latent: Consistency Autoencoders for Latent Audio Compressioncited by 33
- 2024Beat this! Accurate beat tracking without DBN postprocessingcited by 24
- 2022Melody transcription via generative pre-trainingcited by 23
- 2023The Sound Demixing Challenge 2023 unicodex2013 Music Demixing Trackcited by 20
- 2019A Bi-directional Transformer for Musical Chord Recognitioncited by 19
- 2022Modeling Beats and Downbeats with a Time-Frequency Transformercited by 10
- 2016Feature Learning for Chord Recognition: The Deep Chroma Extractorcited by 8
6 more
- 2016A Fully Convolutional Deep Auditory Model for Musical Chord Recognitioncited by 7
- 2023SynthTab: Leveraging Synthesized Data for Guitar Tablature Transcriptioncited by 7
- 2024A Stem-Agnostic Single-Decoder System for Music Source Separation Beyond Four Stemscited by 7
- 2018Improved Chord Recognition by Combining Duration and Harmonic Language Modelscited by 3
- 2024Parameter-Efficient Transfer Learning for Music Foundation Modelscited by 3
- 2023Scaling Up Music Information Retrieval Training with Semi-Supervised Learningcited by 2
Built on by
Not cited yet.