mlsanityData to 7 Oct 2026

Music102: An D12-equivariant transformer for chord progression accompaniment

arXiv 2410.18151 ↗First posted 23 Oct 2024cs.SD cs.LG cs.MMcited by 1

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Abstract (arXiv)

We present Music102, an advanced model aimed at enhancing chord progression accompaniment through a D12-equivariant transformer. Inspired by group theory and symbolic music structures, Music102 leverages musical symmetry--such as transposition and reflection operations--integrating these properties into the transformer architecture. By encoding prior music knowledge, the model maintains equivariance across both melody and chord sequences. The POP909 dataset was employed to train and evaluate Music102, revealing significant improvements over the non-equivariant Music101 prototype Music101 in both weighted loss and exact accuracy metrics, despite using fewer parameters. This work showcases the adaptability of self-attention mechanisms and layer normalization to the discrete musical domain, addressing challenges in computational music analysis. With its stable and flexible neural framework, Music102 sets the stage for further exploration in equivariant music generation and computational composition tools, bridging mathematical theory with practical music performance.

Key facts. Cited by 1 paper in the map (data through 7 Oct 2026). Builds on 11 of its 19 references that are in the map. First posted on arXiv 23 Oct 2024.

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11 of 19 references.

References · 11

  1. 2017Attention Is All You Needcited by 59,932
  2. 2020SE(3)-Transformers: 3D Roto-Translation Equivariant Attention Networkscited by 602
  3. 2022Equiformer: Equivariant Graph Attention Transformer for 3D Atomistic Graphscited by 258
  4. 2023EquiformerV2: Improved Equivariant Transformer for Scaling to Higher-Degree Representationscited by 201
  5. 2022e3nn: Euclidean Neural Networkscited by 171
  6. 2020POP909: A Pop-song Dataset for Music Arrangement Generationcited by 83
  7. 2022Museformer: Transformer with Fine- and Coarse-Grained Attention for Music Generationcited by 48
  8. 2023PESTO: Pitch Estimation with Self-supervised Transposition-equivariant Objectivecited by 18
  9. 2024Toward Fully Self-Supervised Multi-Pitch Estimationcited by 5
  10. 2019Learning the helix topology of musical pitchcited by 2
  11. 2017Deep rank-based transposition-invariant distances on musical sequencescited by 1

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