mlsanityData to 7 Oct 2026

Computational Copyright: Towards A Royalty Model for Music Generative AI

arXiv 2312.06646 ↗First posted 11 Dec 2023cs.AIcited by 2

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Abstract (arXiv)

The rapid rise of generative AI has intensified copyright and economic tensions in creative industries, particularly in music. Current approaches addressing this challenge often focus on preventing infringement or establishing one-time licensing, which fail to provide the sustainable, recurring economic incentives necessary to maintain creative ecosystems. To address this gap, we propose Generative Content ID, a framework for scalable and faithful royalty attribution in music generative AI. Adapting the idea of YouTube's Content ID, it attributes the value of AI-generated music back to the specific training content that causally influenced its generation, a process we term as causal attribution. However, naively quantifying the causal influence requires counterfactually retraining the model on subsets of training data, which is infeasible. We address this challenge using efficient Training Data Attribution (TDA) methods to approximate causal attribution at scale. We further conduct empirical analysis of the framework on public and proprietary datasets. First, we demonstrate that the scalable TDA methods provide a faithful approximation of the "gold-standard" but costly retraining-based causal attribution, showing the feasibility of the proposed royalty framework. Second, we investigate the relationship between the perceived similarity employed by legal practices and our causal attribution reflecting the true AI training mechanics. We find that while perceived similarity can capture the most influential samples, it fails to account for the broader data contribution that drives model utility, suggesting similarity-based legal proxies are ill-suited for royalty distribution. Overall, this work provides a principled and operational foundation for royalty-based economic governance of music generative AI.

Key facts. Cited by 2 papers in the map (data through 7 Oct 2026). Builds on 16 of its 59 references that are in the map. First posted on arXiv 11 Dec 2023.

Builds on

16 of 59 references.

References · 16

  1. 2017Understanding Black-box Predictions via Influence Functionscited by 1,714
  2. 2016WaveNet: A Generative Model for Raw Audiocited by 1,710
  3. 2020Jukebox: A Generative Model for Musiccited by 535
  4. 2018Enabling Factorized Piano Music Modeling and Generation with the MAESTRO Datasetcited by 215
  5. 2023MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Trainingcited by 175
  6. 2023Generative artificial intelligence enhances creativity but reduces the diversity of novel contentcited by 165
  7. 2023Foundation Models and Fair Usecited by 112
  8. 2023On Provable Copyright Protection for Generative Modelscited by 97
  9. 2016DeepBach: a Steerable Model for Bach Chorales Generationcited by 90
  10. 2023Talkin' 'Bout AI Generation: Copyright and the Generative-AI Supply Chaincited by 45
  11. 2023Anticipatory Music Transformercited by 35
  12. 2021Copyright in Generative Deep Learningcited by 29
4 more
  1. 2023How to Protect Copyright Data in Optimization of Large Language Models?cited by 26
  2. 2022Melody transcription via generative pre-trainingcited by 23
  3. 2023Mitigate Replication and Copying in Diffusion Models with Generalized Caption and Dual Fusion Enhancementcited by 5
  4. 2017Understanding MIDI: A Painless Tutorial on Midi Formatcited by 2

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Cited by year (2026 to 7 Oct)

Citing papers per year: 2024: 1; 2025: 0; 2026: 1.

2 papers.