Blind estimation of audio effects using an auto-encoder approach and differentiable digital signal processing
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Abstract (arXiv)
Blind Estimation of Audio Effects (BE-AFX) aims at estimating the Audio Effects (AFXs) applied to an original, unprocessed audio sample solely based on the processed audio sample. To train such a system traditional approaches optimize a loss between ground truth and estimated AFX parameters. This involves knowing the exact implementation of the AFXs used for the process. In this work, we propose an alternative solution that eliminates the requirement for knowing this implementation. Instead, we introduce an auto-encoder approach, which optimizes an audio quality metric. We explore, suggest, and compare various implementations of commonly used mastering AFXs, using differential signal processing or neural approximations. Our findings demonstrate that our auto-encoder approach yields superior estimates of the audio quality produced by a chain of AFXs, compared to the traditional parameter-based approach, even if the latter provides a more accurate parameter estimation.
Key facts. Cited by 5 papers in the map (data through 14 Oct 2026). First posted on arXiv 18 Oct 2023.
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Citing papers per year: 2024: 1; 2025: 3; 2026: 1.
5 papers.
- 2025Unsupervised Estimation of Nonlinear Audio Effects: Comparing Diffusion-Based and Adversarial approachescited by 4
- 2025The Inverse Drum Machine: Source Separation Through Joint Transcription and Analysis-by-Synthesiscited by 3
- 2024Neural-Enhanced Dynamic Range Compression Inversion: A Hybrid Approach for Restoring Audio Dynamicscited by 0
- 2025Improving Inference-Time Optimisation for Vocal Effects Style Transfer with a Gaussian Priorcited by 0
- 2026TimberAgent: Gram-Guided Retrieval for Executable Music Effect Controlcited by 0
- 2026TimberAgent: Gram-Guided Retrieval for Executable Music Effect Control10 Mar 2026
- 2025Improving Inference-Time Optimisation for Vocal Effects Style Transfer with a Gaussian Prior16 May 2025
- 2025The Inverse Drum Machine: Source Separation Through Joint Transcription and Analysis-by-Synthesis6 May 2025
- 2025Unsupervised Estimation of Nonlinear Audio Effects: Comparing Diffusion-Based and Adversarial approaches7 Apr 2025
- 2024Neural-Enhanced Dynamic Range Compression Inversion: A Hybrid Approach for Restoring Audio Dynamics7 Nov 2024