BeatNet: CRNN and Particle Filtering for Online Joint Beat Downbeat and Meter Tracking
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Abstract (arXiv)
The online estimation of rhythmic information, such as beat positions, downbeat positions, and meter, is critical for many real-time music applications. Musical rhythm comprises complex hierarchical relationships across time, rendering its analysis intrinsically challenging and at times subjective. Furthermore, systems which attempt to estimate rhythmic information in real-time must be causal and must produce estimates quickly and efficiently. In this work, we introduce an online system for joint beat, downbeat, and meter tracking, which utilizes causal convolutional and recurrent layers, followed by a pair of sequential Monte Carlo particle filters applied during inference. The proposed system does not need to be primed with a time signature in order to perform downbeat tracking, and is instead able to estimate meter and adjust the predictions over time. Additionally, we propose an information gate strategy to significantly decrease the computational cost of particle filtering during the inference step, making the system much faster than previous sampling-based methods. Experiments on the GTZAN dataset, which is unseen during training, show that the system outperforms various online beat and downbeat tracking systems and achieves comparable performance to a baseline offline joint method.
Key facts. Cited by 12 papers in the map (data through 7 Oct 2026). Builds on 5 of its 38 references that are in the map. First posted on arXiv 8 Aug 2021.
Builds on
5 of 38 references.
References · 5
- 2016madmom: a new Python Audio and Music Signal Processing Librarycited by 63
- 2016Robust Downbeat Tracking Using an Ensemble of Convolutional Networkscited by 5
- 2021Downbeat Tracking with Tempo-Invariant Convolutional Neural Networkscited by 4
- 2020Don't look back: an online beat tracking method using RNN and enhanced particle filteringcited by 3
- 2017OBTAIN: Real-Time Beat Tracking in Audio Signalscited by 1
Built on by
Citing papers per year: 2023: 4; 2024: 2; 2025: 2; 2026: 4.
12 papers.
- 2023MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Trainingcited by 175
- 2023Mustango: Toward Controllable Text-to-Music Generationcited by 100
- 2023MARBLE: Music Audio Representation Benchmark for Universal Evaluationcited by 38
- 2025CMI-Bench: A Comprehensive Benchmark for Evaluating Music Instruction Followingcited by 15
- 2026MOSS-Audio Technical Reportcited by 9
- 2023On the Effectiveness of Speech Self-supervised Learning for Musiccited by 5
- 2025DanceChat: Large Language Model-Guided Music-to-Dance Generationcited by 5
- 2024MIRFLEX: Music Information Retrieval Feature Library for Extractioncited by 2
- 2024Tuning Music Education: AI-Powered Personalization in Learning Musiccited by 0
- 2026FIGMA: Towards FIne-Grained Music retrievAlcited by 0
- 2026TimeCues Studio: A Workspace for Music Annotation and Algorithm Prototypingcited by 0
- 2026TART: A Modular Tool for Technique-Aware Audio-to-Tablature Guitar Transcriptioncited by 0
- 2026TART: A Modular Tool for Technique-Aware Audio-to-Tablature Guitar Transcription10 Sep 2026
- 2026TimeCues Studio: A Workspace for Music Annotation and Algorithm Prototyping9 Sep 2026
- 2026FIGMA: Towards FIne-Grained Music retrievAl4 Jun 2026
- 2026MOSS-Audio Technical Report1 Jun 2026
- 2025CMI-Bench: A Comprehensive Benchmark for Evaluating Music Instruction Following14 Jun 2025
- 2025DanceChat: Large Language Model-Guided Music-to-Dance Generation12 Jun 2025
- 2024Tuning Music Education: AI-Powered Personalization in Learning Music18 Dec 2024
- 2024MIRFLEX: Music Information Retrieval Feature Library for Extraction1 Nov 2024
- 2023Mustango: Toward Controllable Text-to-Music Generation14 Nov 2023
- 2023On the Effectiveness of Speech Self-supervised Learning for Music11 Jul 2023
- 2023MARBLE: Music Audio Representation Benchmark for Universal Evaluation18 Jun 2023
- 2023MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Training31 May 2023