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Towards Explaining Expressive Qualities in Piano Recordings: Transfer of Explanatory Features via Acoustic Domain Adaptation

arXiv 2102.13479 ↗First posted 26 Feb 2021cs.SD cs.LG eess.AScited by 2

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Abstract (arXiv)

Emotion and expressivity in music have been topics of considerable interest in the field of music information retrieval. In recent years, mid-level perceptual features have been suggested as means to explain computational predictions of musical emotion. We find that the diversity of musical styles and genres in the available dataset for learning these features is not sufficient for models to generalise well to specialised acoustic domains such as solo piano music. In this work, we show that by utilising unsupervised domain adaptation together with receptive-field regularised deep neural networks, it is possible to significantly improve generalisation to this domain. Additionally, we demonstrate that our domain-adapted models can better predict and explain expressive qualities in classical piano performances, as perceived and described by human listeners.

Key facts. Cited by 2 papers in the map (data through 7 Oct 2026). Builds on 12 of its 17 references that are in the map. First posted on arXiv 26 Feb 2021.

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12 of 17 references.

References · 12

  1. 2015Deep Residual Learning for Image Recognitioncited by 51,809
  2. 2015Distilling the Knowledge in a Neural Networkcited by 10,076
  3. 2014Unsupervised Domain Adaptation by Backpropagationcited by 1,906
  4. 2018Enabling Factorized Piano Music Modeling and Generation with the MAESTRO Datasetcited by 215
  5. 2016Mode Regularized Generative Adversarial Networkscited by 123
  6. 2019Unsupervised Domain Adaptation through Self-Supervisioncited by 116
  7. 2019The Receptive Field as a Regularizer in Deep Convolutional Neural Networks for Acoustic Scene Classificationcited by 22
  8. 2019Towards Explainable Music Emotion Recognition: The Route via Mid-level Featurescited by 10
  9. 2018A data-driven approach to mid-level perceptual musical feature modelingcited by 8
  10. 2019Emotion and Theme Recognition in Music with Frequency-Aware RF-Regularized CNNscited by 5
  11. 2019Two-level Explanations in Music Emotion Recognitioncited by 3
  12. 2020On the Characterization of Expressive Performance in Classical Music: First Results of the Con Espressione Gamecited by 2

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Citing papers per year: 2021: 1; 2022: 0; 2023: 1.

2 papers.