Problems and Prospects for Intimate Musical Control of Computers
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Abstract (arXiv)
In this paper we describe our efforts towards the development of live performance computer-based musical instrumentation. Our design criteria include initial ease of use coupled with a long term potential for virtuosity, minimal and low variance latency, and clear and simple strategies for programming the relationship between gesture and musical result. We present custom controllers and unique adaptations of standard gestural interfaces, a programmable connectivity processor, a communications protocol called Open Sound Control (OSC), and a variety of metaphors for musical control. We further describe applications of our technology to a variety of real musical performances and directions for future research.
Key facts. Cited by 4 papers in the map (data through 14 Oct 2026). First posted on arXiv 4 Oct 2020.
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Citing papers per year: 2023: 2; 2024: 0; 2025: 2.
4 papers.
- 2023Real-time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitarcited by 3
- 2025Designing Neural Synthesizers for Low-Latency Interactioncited by 1
- 2023Combining Vision and EMG-Based Hand Tracking for Extended Reality Musical Instrumentscited by 0
- 2025Exploring System Adaptations For Minimum Latency Real-Time Piano Transcriptioncited by 0
- 2025Exploring System Adaptations For Minimum Latency Real-Time Piano Transcription9 Sep 2025
- 2025Designing Neural Synthesizers for Low-Latency Interaction14 Mar 2025
- 2023Combining Vision and EMG-Based Hand Tracking for Extended Reality Musical Instruments13 Jul 2023
- 2023Real-time Percussive Technique Recognition and Embedding Learning for the Acoustic Guitar13 Jul 2023