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Conditioned-U-Net: Introducing a Control Mechanism in the U-Net for Multiple Source Separations

arXiv 1907.01277 ↗First posted 2 Jul 2019eess.AS cs.LG cs.SDcited by 27

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Abstract (arXiv)

Data-driven models for audio source separation such as U-Net or Wave-U-Net are usually models dedicated to and specifically trained for a single task, e.g. a particular instrument isolation. Training them for various tasks at once commonly results in worse performances than training them for a single specialized task. In this work, we introduce the Conditioned-U-Net (C-U-Net) which adds a control mechanism to the standard U-Net. The control mechanism allows us to train a unique and generic U-Net to perform the separation of various instruments. The C-U-Net decides the instrument to isolate according to a one-hot-encoding input vector. The input vector is embedded to obtain the parameters that control Feature-wise Linear Modulation (FiLM) layers. FiLM layers modify the U-Net feature maps in order to separate the desired instrument via affine transformations. The C-U-Net performs different instrument separations, all with a single model achieving the same performances as the dedicated ones at a lower cost.

Key facts. Cited by 27 papers in the map (data through 7 Oct 2026). First posted on arXiv 2 Jul 2019.

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Citing papers per year: 2021: 8; 2022: 8; 2023: 4; 2024: 3; 2025: 3; 2026: 1.

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  1. 2021CRASH: Raw Audio Score-based Generative Modeling for Controllable High-resolution Drum Sound Synthesiscited by 37
  2. 2021Visual Scene Graphs for Audio Source Separationcited by 29
  3. 2021A Unified Model for Zero-shot Music Source Separation, Transcription and Synthesiscited by 18
  4. 2022Heterogeneous Target Speech Separationcited by 13
  5. 2021A cappella: Audio-visual Singing Voice Separationcited by 12
  6. 2022Learning Audio-Visual Dynamics Using Scene Graphs for Audio Source Separationcited by 11
  7. 2024A Stem-Agnostic Single-Decoder System for Music Source Separation Beyond Four Stemscited by 7
  8. 2022Jointist: Joint Learning for Multi-instrument Transcription and Its Applicationscited by 6
  9. 2024Music Foundation Model as Generic Booster for Music Downstream Taskscited by 6
  10. 2022Optimal Condition Training for Target Source Separationcited by 5
  11. 2022Unsupervised Music Source Separation Using Differentiable Parametric Source Modelscited by 4
  12. 2021Environmental Sound Extraction Using Onomatopoeic Wordscited by 3
15 more
  1. 2023Jointist: Simultaneous Improvement of Multi-instrument Transcription and Music Source Separation via Joint Trainingcited by 3
  2. 2021AMSS-Net: Audio Manipulation on User-Specified Sources with Textual Queriescited by 2
  3. 2021Unsupervised Source Separation via Bayesian Inference in the Latent Domaincited by 2
  4. 2023Selective Scene Text Removalcited by 2
  5. 2025User-guided Generative Source Separationcited by 2
  6. 2022Locate This, Not That: Class-Conditioned Sound Event DOA Estimationcited by 1
  7. 2023Metadata Improves Segmentation Through Multitasking Elicitationcited by 1
  8. 2024Improving Music Source Separation with Diffusion and Consistency Refinementcited by 1
  9. 2025Data-Driven Radio Propagation Modeling using Graph Neural Networkscited by 1
  10. 2021LightSAFT: Lightweight Latent Source Aware Frequency Transform for Source Separationcited by 0
  11. 2022SANE-TTS: Stable And Natural End-to-End Multilingual Text-to-Speechcited by 0
  12. 2022Proceedings of the 2nd International Workshop on Reading Music Systemscited by 0
  13. 2023Complete and separate: Conditional separation with missing target source attribute completioncited by 0
  14. 2025A Conditioned UNet for Music Source Separationcited by 0
  15. 2026Clean2FX: Label-conditioned modeling for clean-to-effect guitar audio transformationscited by 0