Play as You Like: Timbre-enhanced Multi-modal Music Style Transfer
Not on the map. Why?
Abstract (arXiv)
Style transfer of polyphonic music recordings is a challenging task when considering the modeling of diverse, imaginative, and reasonable music pieces in the style different from their original one. To achieve this, learning stable multi-modal representations for both domain-variant (i.e., style) and domain-invariant (i.e., content) information of music in an unsupervised manner is critical. In this paper, we propose an unsupervised music style transfer method without the need for parallel data. Besides, to characterize the multi-modal distribution of music pieces, we employ the Multi-modal Unsupervised Image-to-Image Translation (MUNIT) framework in the proposed system. This allows one to generate diverse outputs from the learned latent distributions representing contents and styles. Moreover, to better capture the granularity of sound, such as the perceptual dimensions of timbre and the nuance in instrument-specific performance, cognitively plausible features including mel-frequency cepstral coefficients (MFCC), spectral difference, and spectral envelope, are combined with the widely-used mel-spectrogram into a timber-enhanced multi-channel input representation. The Relativistic average Generative Adversarial Networks (RaGAN) is also utilized to achieve fast convergence and high stability. We conduct experiments on bilateral style transfer tasks among three different genres, namely piano solo, guitar solo, and string quartet. Results demonstrate the advantages of the proposed method in music style transfer with improved sound quality and in allowing users to manipulate the output.
Key facts. Cited by 11 papers in the map (data through 14 Oct 2026). First posted on arXiv 28 Nov 2018.
Builds on
No reference list yet.
Built on by
Citing papers per year: 2021: 1; 2022: 2; 2023: 1; 2024: 4; 2025: 3.
11 papers.
- 2023AUDIT: Audio Editing by Following Instructions with Latent Diffusion Modelscited by 83
- 2024Prompt-guided Precise Audio Editing with Diffusion Modelscited by 18
- 2024Authors' Values and Attitudes Towards AI-bridged Scalable Personalization of Creative Language Artscited by 13
- 2022A Review of Intelligent Music Generation Systemscited by 11
- 2024Music Style Transfer with Time-Varying Inversion of Diffusion Modelscited by 10
- 2025Learning to Highlight Audio by Watching Moviescited by 5
- 2024Unsupervised Disentanglement of Content and Style via Variance-Invariance Constraintscited by 2
- 2025Designing Neural Synthesizers for Low-Latency Interactioncited by 1
- 2021Actions Speak Louder than Listening: Evaluating Music Style Transfer based on Editing Experiencecited by 0
- 2022Can Machines Generate Personalized Music? A Hybrid Favorite-aware Method for User Preference Music Transfercited by 0
- 2025Device-Guided Music Transfercited by 0
- 2025Device-Guided Music Transfer21 Nov 2025
- 2025Learning to Highlight Audio by Watching Movies17 May 2025
- 2025Designing Neural Synthesizers for Low-Latency Interaction14 Mar 2025
- 2024Unsupervised Disentanglement of Content and Style via Variance-Invariance Constraints4 Jul 2024
- 2024Prompt-guided Precise Audio Editing with Diffusion Models11 May 2024
- 2024Authors' Values and Attitudes Towards AI-bridged Scalable Personalization of Creative Language Arts1 Mar 2024
- 2024Music Style Transfer with Time-Varying Inversion of Diffusion Models21 Feb 2024
- 2023AUDIT: Audio Editing by Following Instructions with Latent Diffusion Models3 Apr 2023
- 2022A Review of Intelligent Music Generation Systems16 Nov 2022
- 2022Can Machines Generate Personalized Music? A Hybrid Favorite-aware Method for User Preference Music Transfer21 Jan 2022
- 2021Actions Speak Louder than Listening: Evaluating Music Style Transfer based on Editing Experience25 Oct 2021