mlsanityData to 7 Oct 2026

Integrating Contextual Embeddings into Evaluation of Expressive MIDI Piano Performances

arXiv 2607.27909 ↗First posted 30 Jul 2026cs.SD cs.LGcited by 0

Not on the map. Why?

Abstract (arXiv)

Objective evaluation of expressive MIDI piano performances typically relies on attribute statistics such as timing, velocity, and duration of individual notes. However, these methods often disregard dependencies between notes, which poses a potential limitation in assessing the similarity between two sets of performances. In generative applications, the wide variety of expressive attributes makes it difficult to aggregate them into a single scalar metric for model selection. In this work, we reexamine attribute-scoped metrics and explore the perceptual properties of contextual embeddings from self-supervised symbolic music models, Aria and CLaMP3. Results from our listening study indicate that these models can be used as perceptual proxies, showing agreement with per-sample human ratings on par with traditional metrics. To measure conditional distributional similarity, we adapt Kernel Audio Distance to the symbolic music domain. Unlike Pearson correlation and reconstruction error, kernel-based methods on contextual embeddings do not require note alignment and are sensitive to contextual perturbations. To facilitate reproducibility, we release Pereval, an open-source library that integrates performance evaluation utilities, including both attribute-scoped and deep feature metrics.

Key facts. No citing papers in the map yet (data through 7 Oct 2026). Builds on 26 of its 36 references that are in the map. First posted on arXiv 30 Jul 2026.

Builds on

26 of 36 references.

References · 26

  1. 2018A Simple Unified Framework for Detecting Out-of-Distribution Samples and Adversarial Attackscited by 1,472
  2. 2018Demystifying MMD GANscited by 1,268
  3. 2023Rethinking FID: Towards a Better Evaluation Metric for Image Generationcited by 303
  4. 2021A Simple Fix to Mahalanobis Distance for Improving Near-OOD Detectioncited by 206
  5. 2019Effectively Unbiased FID and Inception Score and where to find themcited by 161
  6. 2023Adapting Frechet Audio Distance for Generative Music Evaluationcited by 92
  7. 2020Gibbs Sampling with Peoplecited by 28
  8. 2016Conditional Generative Moment-Matching Networkscited by 24
  9. 2025KAD: No More FAD! An Effective and Efficient Evaluation Metric for Audio Generationcited by 24
  10. 2025CLaMP 3: Universal Music Information Retrieval Across Unaligned Modalities and Unseen Languagescited by 20
  11. 2025Aligning Text-to-Music Evaluation with Human Preferencescited by 20
  12. 2024PDMX: A Large-Scale Public Domain MusicXML Dataset for Symbolic Music Processingcited by 15
14 more
  1. 2024CLaMP 2: Multimodal Music Information Retrieval Across 101 Languages Using Large Language Modelscited by 12
  2. 2024Frechet Music Distance: A Metric For Generative Symbolic Music Evaluationcited by 12
  3. 2024DExter: Learning and Controlling Performance Expression with Diffusion Modelscited by 11
  4. 2025Aria-MIDI: A Dataset of Piano MIDI Files for Symbolic Music Modelingcited by 10
  5. 2022Evaluating Aleatoric Uncertainty via Conditional Generative Modelscited by 8
  6. 2025Scaling Self-Supervised Representation Learning for Symbolic Piano Performancecited by 7
  7. 2023Reconstructing Human Expressiveness in Piano Performances with a Transformer Networkcited by 6
  8. 2023Online Symbolic Music Alignment with Offline Reinforcement Learningcited by 5
  9. 2024LLaQo: Towards a Query-Based Coach in Expressive Music Performance Assessmentcited by 5
  10. 2025Towards An Integrated Approach for Expressive Piano Performance Synthesis from Music Scorescited by 5
  11. 2024From Audio Encoders to Piano Judges: Benchmarking Performance Understanding for Solo Pianocited by 3
  12. 2025From Aesthetics to Human Preferences: Comparative Perspectives of Evaluating Text-to-Music Systemscited by 3
  13. 2025SyMuPe: Affective and Controllable Symbolic Music Performancecited by 3
  14. 2023Sounding Out Reconstruction Error-Based Evaluation of Generative Models of Expressive Performancecited by 2

Built on by

Not cited yet.