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PitchBench: Measuring Pitch Hearing in Audio-Language Models

arXiv 2605.26176 ↗First posted 25 May 2026cs.SD cs.AIcited by 0

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Abstract (arXiv)

Audio-language models (ALMs) are increasingly used in real-world applications that require understanding music, from music tutoring and transcription to captioning, recommendation systems, and music production. More broadly, they are becoming an important component of multimodal AI systems that must reason from sensory input rather than text alone. This makes reliable musical perception a critical prerequisite: if a model cannot accurately hear the structure of sound, it cannot be trusted to reason about, teach, transcribe, or act on audio in the real world. Yet existing benchmarks rarely assess one of the most fundamental musical abilities underlying such perception: pitch hearing. Current evaluations tend to probe pitch hearing only indirectly, through higher-level tasks and often in multiple-choice formats, leaving open how reliably ALMs identify fine-grained pitch across instruments, acoustic conditions, and response formats. We introduce PitchBench, an evaluation suite that systematically measures pitch hearing in ALMs. PitchBench comprises 28 experiments spanning absolute and relative pitch perception within sequences and chords, while varying loudness, note duration, sound source, time stretching, background noise, and other acoustic conditions. Tasks range from identifying individual pitches in isolation to tracking a melodic line within a four-part musical texture. Evaluating frontier ALMs, we find that pitch hearing remains highly unreliable: models perform consistently poorly across settings, with accuracy varying sharply by sound source, note duration, and notation format. Current ALMs do not yet possess stable pitch perception, even for controlled synthetic and instrumental stimuli. Alongside the benchmark, we release PitchBench as a Python package containing the evaluation data and data generation tools to support future work on pitch-aware audio-language modeling.

Key facts. No citing papers in the map yet (data through 7 Oct 2026). Builds on 16 of its 24 references that are in the map. First posted on arXiv 25 May 2026.

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References · 16

  1. 2023Qwen-Audio: Advancing Universal Audio Understanding via Unified Large-Scale Audio-Language Modelscited by 591
  2. 2023SALMONN: Towards Generic Hearing Abilities for Large Language Modelscited by 492
  3. 2023Pengi: An Audio Language Model for Audio Taskscited by 217
  4. 2024AIR-Bench: Benchmarking Large Audio-Language Models via Generative Comprehensioncited by 215
  5. 2024Audio Flamingo: A Novel Audio Language Model with Few-Shot Learning and Dialogue Abilitiescited by 183
  6. 2024AudioBench: A Universal Benchmark for Audio Large Language Modelscited by 124
  7. 2025MMAR: A Challenging Benchmark for Deep Reasoning in Speech, Audio, Music, and Their Mixcited by 113
  8. 2018CREPE: A Convolutional Representation for Pitch Estimationcited by 109
  9. 2017Onsets and Frames: Dual-Objective Piano Transcriptioncited by 93
  10. 2025MMAU-Pro: A Challenging and Comprehensive Benchmark for Holistic Evaluation of Audio General Intelligencecited by 59
  11. 2024MuChoMusic: Evaluating Music Understanding in Multimodal Audio-Language Modelscited by 43
  12. 2019SPICE: Self-supervised Pitch Estimationcited by 27
4 more
  1. 2025CMI-Bench: A Comprehensive Benchmark for Evaluating Music Instruction Followingcited by 15
  2. 2026Audio Flamingo Next: Next-Generation Open Audio-Language Models for Speech, Sound, and Musiccited by 15
  3. 2025The MUSE Benchmark: Probing Music Perception and Auditory Relational Reasoning in Audio LLMScited by 4
  4. 2025Musical Score Understanding Benchmark: Evaluating Large Language Models' Comprehension of Complete Musical Scorescited by 2

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