Decoding Listeners Identity: Person Identification from EEG Signals Using a Lightweight Spiking Transformer
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Abstract (arXiv)
EEG-based person identification enables applications in security, personalized brain-computer interfaces (BCIs), and cognitive monitoring. However, existing techniques often rely on deep learning architectures at high computational cost, limiting their scope of applications. In this study, we propose a novel EEG person identification approach using spiking neural networks (SNNs) with a lightweight spiking transformer for efficiency and effectiveness. The proposed SNN model is capable of handling the temporal complexities inherent in EEG signals. On the EEG-Music Emotion Recognition Challenge dataset, the proposed model achieves 100% classification accuracy with less than 10% energy consumption of traditional deep neural networks. This study offers a promising direction for energy-efficient and high-performance BCIs. The source code is available at https://github.com/PatrickZLin/Decode-ListenerIdentity.
Key facts. No citing papers in the map yet (data through 7 Oct 2026). Builds on 10 of its 22 references that are in the map. First posted on arXiv 17 Oct 2025.
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References · 10
- 2020An Image is Worth 16x16 Words: Transformers for Image Recognition at Scalecited by 29,915
- 2019Surrogate Gradient Learning in Spiking Neural Networkscited by 604
- 2021RepVGG: Making VGG-style ConvNets Great Againcited by 520
- 2022Spikformer: When Spiking Neural Network Meets Transformercited by 263
- 2021Escaping the Big Data Paradigm with Compact Transformerscited by 261
- 2018Deep Learning in Spiking Neural Networkscited by 258
- 2022Attention Spiking Neural Networkscited by 103
- 2024Spike-driven Transformer V2: Meta Spiking Neural Network Architecture Inspiring the Design of Next-generation Neuromorphic Chipscited by 97
- 2021Bottom-up and top-down approaches for the design of neuromorphic processing systems: Tradeoffs and synergies between natural and artificial intelligencecited by 21
- 2022Neural Encoding of Songs is Modulated by Their Enjoymentcited by 1
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