Contrastive timbre representations for musical instrument and synthesizer retrieval
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Abstract (arXiv)
Efficiently retrieving specific instrument timbres from audio mixtures remains a challenge in digital music production. This paper introduces a contrastive learning framework for musical instrument retrieval, enabling direct querying of instrument databases using a single model for both single- and multi-instrument sounds. We propose techniques to generate realistic positive/negative pairs of sounds for virtual musical instruments, such as samplers and synthesizers, addressing limitations in common audio data augmentation methods. The first experiment focuses on instrument retrieval from a dataset of 3,884 instruments, using single-instrument audio as input. Contrastive approaches are competitive with previous works based on classification pre-training. The second experiment considers multi-instrument retrieval with a mixture of instruments as audio input. In this case, the proposed contrastive framework outperforms related works, achieving 81.7% top-1 and 95.7% top-5 accuracies for three-instrument mixtures.
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References · 15
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- 2022Large-scale Contrastive Language-Audio Pretraining with Feature Fusion and Keyword-to-Caption Augmentationcited by 719
- 2021AST: Audio Spectrogram Transformercited by 643
- 2017Neural Audio Synthesis of Musical Notes with WaveNet Autoencoderscited by 225
- 2023Listen, Think, and Understandcited by 209
- 2020Contrastive Learning of General-Purpose Audio Representationscited by 169
- 2022Hybrid Transformers for Music Source Separationcited by 134
- 2021Hybrid Spectrogram and Waveform Source Separationcited by 91
- 2019Cutting Music Source Separation Some Slakh: A Dataset to Study the Impact of Training Data Quality and Quantitycited by 86
- 2017Unsupervised Learning of Semantic Audio Representationscited by 44
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