Exploring Procedural Data Generation for Automatic Acoustic Guitar Fingerpicking Transcription
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Abstract (arXiv)
Automatic transcription of acoustic guitar fingerpicking performances remains a challenging task due to the scarcity of labeled training data and legal constraints connected with musical recordings. This work investigates a procedural data generation pipeline as an alternative to real audio recordings for training transcription models. Our approach synthesizes training data through four stages: knowledge-based fingerpicking tablature composition, MIDI performance rendering, physical modeling using an extended Karplus-Strong algorithm, and audio augmentation including reverb and distortion. We train and evaluate a CRNN-based note-tracking model on both real and synthetic datasets, demonstrating that procedural data can be used to achieve reasonable note-tracking results. Finetuning with a small amount of real data further enhances transcription accuracy, improving over models trained exclusively on real recordings. These results highlight the potential of procedurally generated audio for data-scarce music information retrieval tasks.
Key facts. No citing papers in the map yet (data through 14 Oct 2026). Builds on 8 of its 19 references that are in the map. First posted on arXiv 11 Aug 2025.
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References · 8
- 2017Onsets and Frames: Dual-Objective Piano Transcriptioncited by 94
- 2021MT3: Multi-Task Multitrack Music Transcriptioncited by 71
- 2020MMM : Exploring Conditional Multi-Track Music Generation with the Transformercited by 49
- 2021DadaGP: A Dataset of Tokenized GuitarPro Songs for Sequence Modelscited by 20
- 2024High Resolution Guitar Transcription via Domain Adaptationcited by 15
- 2021DawDreamer: Bridging the Gap Between Digital Audio Workstations and Python Interfacescited by 10
- 2023SynthTab: Leveraging Synthesized Data for Guitar Tablature Transcriptioncited by 7
- 2023DDSP-based Neural Waveform Synthesis of Polyphonic Guitar Performance from String-wise MIDI Inputcited by 3
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