AI-Generated Music Detection and its Challenges
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Abstract (arXiv)
In the face of a new era of generative models, the detection of artificially generated content has become a matter of utmost importance. In particular, the ability to create credible minute-long synthetic music in a few seconds on user-friendly platforms poses a real threat of fraud on streaming services and unfair competition to human artists. This paper demonstrates the possibility (and surprising ease) of training classifiers on datasets comprising real audio and artificial reconstructions, achieving a convincing accuracy of 99.8%. To our knowledge, this marks the first publication of a AI-music detector, a tool that will help in the regulation of synthetic media. Nevertheless, informed by decades of literature on forgery detection in other fields, we stress that getting a good test score is not the end of the story. We expose and discuss several facets that could be problematic with such a deployed detector: robustness to audio manipulation, generalisation to unseen models. This second part acts as a position for future research steps in the field and a caveat to a flourishing market of artificial content checkers.
Key facts. Cited by 4 papers in the map (data through 14 Oct 2026). First posted on arXiv 17 Jan 2025.
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Citing papers per year: 2026: 4.
4 papers.
- 2026AI-Generated Music Detection in Broadcast Monitoringcited by 2
- 2026HAIM: Human-AI Music Datasets for AI Music Production Tracking Benchmarkcited by 0
- 2026How Much AI Is in This Track? Quantifying the Proportion of AI-Generated Stems in Hybrid Music Mixturescited by 0
- 2026Assessing AI-generated music detection in real-world broadcast monitoringcited by 0
- 2026Assessing AI-generated music detection in real-world broadcast monitoring7 Aug 2026
- 2026How Much AI Is in This Track? Quantifying the Proportion of AI-Generated Stems in Hybrid Music Mixtures7 Aug 2026
- 2026HAIM: Human-AI Music Datasets for AI Music Production Tracking Benchmark1 Jun 2026
- 2026AI-Generated Music Detection in Broadcast Monitoring6 Feb 2026