From Audio to Symbolic Encoding
Not on the map. Why?
Abstract (arXiv)
Automatic music transcription (AMT) aims to convert raw audio to symbolic music representation. As a fundamental problem of music information retrieval (MIR), AMT is considered a difficult task even for trained human experts due to overlap of multiple harmonics in the acoustic signal. On the other hand, speech recognition, as one of the most popular tasks in natural language processing, aims to translate human spoken language to texts. Based on the similar nature of AMT and speech recognition (as they both deal with tasks of translating audio signal to symbolic encoding), this paper investigated whether a generic neural network architecture could possibly work on both tasks. In this paper, we introduced our new neural network architecture built on top of the current state-of-the-art Onsets and Frames, and compared the performances of its multiple variations on AMT task. We also tested our architecture with the task of speech recognition. For AMT, our models were able to produce better results compared to the model trained using the state-of-art architecture; however, although similar architecture was able to be trained on the speech recognition task, it did not generate very ideal result compared to other task-specific models.
Key facts. No citing papers in the map yet (data through 14 Oct 2026). Builds on 9 of its 13 references that are in the map. First posted on arXiv 26 Feb 2023.
Builds on
9 of 13 references.
References · 9
- 2017Attention Is All You Needcited by 60,361
- 2016DeepLab: Semantic Image Segmentation with Deep Convolutional Nets, Atrous Convolution, and Fully Connected CRFscited by 3,241
- 2017Non-local Neural Networkscited by 2,293
- 2013Speech Recognition with Deep Recurrent Neural Networkscited by 669
- 2015Attention-Based Models for Speech Recognitioncited by 401
- 2015Highway Networkscited by 260
- 2018Enabling Factorized Piano Music Modeling and Generation with the MAESTRO Datasetcited by 217
- 2017Onsets and Frames: Dual-Objective Piano Transcriptioncited by 94
- 2016On the Potential of Simple Framewise Approaches to Piano Transcriptioncited by 21
Built on by
Not cited yet.