mlsanityData to 14 Oct 2026

Comparison of CoModGANs, LaMa and GLIDE for Art Inpainting- Completing M.C Escher's Print Gallery

arXiv 2205.01741 ↗First posted 3 May 2022cs.CVcited by 1

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Abstract (arXiv)

Digital art restoration has benefited from inpainting models to correct the degradation or missing sections of a painting. This work compares three current state-of-the art models for inpainting of large missing regions. We provide qualitative and quantitative comparison of the performance by CoModGANs, LaMa and GLIDE in inpainting of blurry and missing sections of images. We use Escher's incomplete painting Print Gallery as our test study since it presents several of the challenges commonly present in restorative inpainting.

Key facts. Cited by 1 paper in the map (data through 14 Oct 2026). Builds on 11 of its 27 references that are in the map. First posted on arXiv 3 May 2022.

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11 of 27 references.

References · 11

  1. 2021Learning Transferable Visual Models From Natural Language Supervisioncited by 33,744
  2. 2020An Image is Worth 16x16 Words: Transformers for Image Recognition at Scalecited by 30,186
  3. 2021Diffusion Models Beat GANs on Image Synthesiscited by 8,255
  4. 2018A Style-Based Generator Architecture for Generative Adversarial Networkscited by 6,013
  5. 2016Image-to-Image Translation with Conditional Adversarial Networkscited by 4,527
  6. 2014Deep Learning Face Attributes in the Wildcited by 3,693
  7. 2021GLIDE: Towards Photorealistic Image Generation and Editing with Text-Guided Diffusion Modelscited by 3,614
  8. 2016COCO-Stuff: Thing and Stuff Classes in Contextcited by 864
  9. 2021Resolution-robust Large Mask Inpainting with Fourier Convolutionscited by 738
  10. 2019KonIQ-10k: An ecologically valid database for deep learning of blind image quality assessmentcited by 355
  11. 2021Large Scale Image Completion via Co-Modulated Generative Adversarial Networkscited by 220

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