A Perceptual Measure for Evaluating the Resynthesis of Automatic Music Transcriptions
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Abstract (arXiv)
This study focuses on the perception of music performances when contextual factors, such as room acoustics and instrument, change. We propose to distinguish the concept of "performance" from the one of "interpretation", which expresses the "artistic intention". Towards assessing this distinction, we carried out an experimental evaluation where 91 subjects were invited to listen to various audio recordings created by resynthesizing MIDI data obtained through Automatic Music Transcription (AMT) systems and a sensorized acoustic piano. During the resynthesis, we simulated different contexts and asked listeners to evaluate how much the interpretation changes when the context changes. Results show that: (1) MIDI format alone is not able to completely grasp the artistic intention of a music performance; (2) usual objective evaluation measures based on MIDI data present low correlations with the average subjective evaluation. To bridge this gap, we propose a novel measure which is meaningfully correlated with the outcome of the tests. In addition, we investigate multimodal machine learning by providing a new score-informed AMT method and propose an approximation algorithm for the p-dispersion problem.
Key facts. Cited by 4 papers in the map (data through 7 Oct 2026). Builds on 6 of its 71 references that are in the map. First posted on arXiv 24 Feb 2022.
Builds on
6 of 71 references.
References · 6
- 2017Onsets and Frames: Dual-Objective Piano Transcriptioncited by 93
- 2017Hierarchical Clustering: Objective Functions and Algorithmscited by 60
- 2019Multimodal music information processing and retrieval: survey and future challengescited by 13
- 2021Audio-to-Score Alignment Using Deep Automatic Music Transcriptioncited by 7
- 2017Audio-to-score alignment of piano music using RNN-based automatic music transcriptioncited by 4
- 2020ASMD: an automatic framework for compiling multimodal datasets with audio and scorescited by 2
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Citing papers per year: 2022: 1; 2023: 2; 2024: 0; 2025: 0; 2026: 1.
4 papers.
- 2023Jointist: Simultaneous Improvement of Multi-instrument Transcription and Music Source Separation via Joint Trainingcited by 3
- 2022Acoustics-specific Piano Velocity Estimationcited by 1
- 2026PianoCoRe: Combined and Refined Piano MIDI Datasetcited by 1
- 2023Transfer of knowledge among instruments in automatic music transcriptioncited by 0
- 2026PianoCoRe: Combined and Refined Piano MIDI Dataset7 May 2026
- 2023Transfer of knowledge among instruments in automatic music transcription30 Apr 2023
- 2023Jointist: Simultaneous Improvement of Multi-instrument Transcription and Music Source Separation via Joint Training1 Feb 2023
- 2022Acoustics-specific Piano Velocity Estimation30 Mar 2022